1723 In Music
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1723 In Music
The year 1723 in music involved some significant events. Events *April 13 – Johann Sebastian Bach is given permission to leave Köthen to take up his new appointment (from May 5) as cantor and musical director of St. Thomas Church, Leipzig. Other candidates for the post included Georg Friedrich Kauffmann, Georg Philipp Telemann and Christoph Graupner. *July/August – Handel moves to 25 Brook Street, London, the modern-day Handel House Museum. * November 2 – J. S. Bach's cantata ''Höchsterwünschtes Freudenfest'', BWV 194 is first performed for dedication of the church and organ at Störmthal. * December 26 – J. S. Bach's cantata ''Darzu ist erschienen der Sohn Gottes'', BWV 40 is first performed in Leipzig. *Alessandro Scarlatti begins his last major work, a serenata for the marriage of the prince of Stigliano, which will be left unfinished at his death. *Publication of ''Opinioni de' cantori antichi e moderni'' by Pier Francesco Tosi. * Francesco Maria Veraci ...
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Unfinished Work
Unfinished may refer to: *Unfinished creative work, a work which a creator either chose not to finish or was prevented from finishing. Music * Symphony No. 8 (Schubert) "Unfinished" * ''Unfinished'' (album), 2011 album by American singer Jordan Knight * "Unfinished" (Kotoko song), stylized "→unfinished→", 2012 * "Unfinished" (Mandisa song), 2017 * "Unfinished", song by Stone Sour from the 2010 album ''Audio Secrecy'' * "Unfinished", song by Mineral from the 1998 album ''EndSerenading'' Television and film * "Unfinished" (''How I Met Your Mother''), 2010 television show episode * ''Unfinished'' (film), 2018 South Korean film Literature * ''Unfinished'' (book), a 2021 memoir by Priyanka Chopra See also * * Unfinished symphony * Unfinished building An unfinished building is a building (or other architectural structure, as a bridge, a road or a tower) where construction work was abandoned or on-hold at some stage or only exists as a design. It may also refer to bu ...
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Es Ist Nichts Gesundes An Meinem Leibe, BWV 25
Johann Sebastian Bach composed the church cantata (There is nothing sound in my body), 25 in Leipzig for the 14th Sunday after Trinity and first performed it on 29 August 1723. History and words Bach composed the cantata in 1723 in his first year as in Leipzig for the 14th Sunday after Trinity. The prescribed readings for the Sunday were from the Epistle to the Galatians, Paul's teaching on "works of the flesh" and "fruit of the Spirit" (), and from the Gospel of Luke, Cleansing ten lepers (). According to Christoph Wolff, the cantata text was written by Johann Jacob Rambach and published in 1720 in Halle in . The poet relates to the Gospel and compares the situation of man in general to that of the lepers. The sickness is first expressed in words from Psalm 38, . As Julian Mincham observes, "sin, decay, God's fury and the rotting of bones permeate much Lutheran theology in general and this opening chorus in particular". At the end of the third movement, Jesus is asked to hea ...
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Du Wahrer Gott Und Davids Sohn, BWV 23
(You true God and Son of David), , is a church cantata by Johann Sebastian Bach. He composed it in Köthen between 1717 and 1723 for Sunday and performed it as an audition piece for the position of in Leipzig on 7 February 1723. The Sunday was the last occasion for music at church before the quiet time of Lent. Bach had at least the first three movements ready for the audition in Leipzig and may have added the substantial last movement, derived from the lost Weimarer Passion, rather late. The cantata deals with healing the blind near Jericho. An anonymous author stayed close to the gospel, having the blind man call Jesus in the first movement, and begging Jesus not to pass in the second. In the last movement Bach presents an extended version of "", the German Agnus Dei of the Lutheran mass. He scored the cantata for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble with oboes, strings and continuo. Bach possibly led the audition performance of t ...
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Jesus Nahm Zu Sich Die Zwölfe, BWV 22
(Jesus gathered the twelve to Himself), 22, is a church cantata by Johann Sebastian Bach composed for Quinquagesima, the last Sunday before Lent. Bach composed it as an audition piece for the position of Thomaskantor in Leipzig and first performed it there on 7 February 1723. The work, which is in five movements, begins with a scene from the Gospel reading in which Jesus predicts his suffering in Jerusalem. The unknown poet of the cantata text took the scene as a starting point for a sequence of aria, recitative, and aria, in which the contemporary Christian takes the place of the disciples, who do not understand what Jesus is telling them about the events soon to unfold, but follow him nevertheless. The closing chorale is a stanza from Elisabeth Cruciger's hymn "". The music is scored for three vocal soloists, a four-part choir, oboe, strings and continuo. The work shows that Bach had mastered the composition of a dramatic scene, an expressive aria with obbligato oboe, a ...
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Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ...
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Magnificat In E-flat Major, BWV 243a
The in E-flat major, 243a, also BWV243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243. The work was first performed in Leipzig in 1723. In May that year Bach assumed his position as Thomaskantor and embarked on an ambitious series of compositions. The Magnificat was sung at vesper services on feast days, and, as suggested by recent research, Bach's setting may have been written for a performance on 2 July, celebrating the Marian feast of the Visitation. For a Christmas celebration the same or a later year, he performed it at the Nikolaiki ...
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Inventions And Sinfonias (Bach)
The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 '' inventions'', which are two-part contrapuntal pieces, and 15 ''sinfonias'', which are three-part contrapuntal pieces. They were originally written as "''Praeambula''" and "''Fantasiae''" in the Klavierbüchlein für Wilhelm Friedemann Bach, a ''Clavier-booklet'' for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: Forthright instruction, wherewith lovers of the clavier, especially those desirous of learning, are shown in a clear way not only 1) to learn to play two voices clearly, but also after further progress 2) to deal correctly and well with three obbligato parts, moreover at the same time to obtain not only good ideas, but also to carry them out well, but most of all to achieve a ''cantabile'' style of playing, and thereby to acqu ...
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Attilio Ariosti
Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works. Life Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna. In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favor of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court ...
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Kinsky
The House of Kinsky (formerly Vchynští, sg. ''Vchynský'' in Czech; later (in modern Czech) Kinští, sg. ''Kinský''; german: Kinsky von Wchinitz und Tettau) is a prominent Czech noble family originating from the Kingdom of Bohemia. During the Thirty Years' War, the Kinsky family rose from minor nobles to comital (1628) and later princely status (1747) under the rule of the Habsburgs. The family, recorded in the ''Almanach de Gotha'', is considered to have been one of the most illustrious of Austria-Hungary. History According to romantic medieval legend, the Kinsky story began in Bohemia over 1,000 years ago, when a king's beautiful daughter went out hunting in the forest and was attacked by a pack of wolves. Her attendants all fled the terrible scene except for one young man, who saved the princess by killing some wolves and driving the rest away. In gratitude, the girl's father ennobled the young man, granting him a coat of arms featuring three wolves' teeth as an emblem of h ...
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Giuseppe Tartini
Giuseppe Tartini (8 April 1692 – 26 February 1770) was an Italian composer and violinist of the Baroque era born in the Republic of Venice. Tartini was a prolific composer, composing over a hundred of pieces for the violin with the majority of them being violin concertos. However, today, he is most famously remembered for his Violin Sonata in G Minor (the Devil's Trill Sonata). Biography Tartini was born on 8 April 1692 in Pirano (now part of Slovenia), a town on the peninsula of Istria, in the Republic of Venice to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranese families. It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. Tartini studied violin first at the ''collegio delle Scuole Pie'' in Capodistria (today Koper). He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he ma ...
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