1570 In Music
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1570 In Music
Events * 5 July – Annibale Zoilo joins the Sistine Chapel Choir in Rome as an alto.Harry B. Lincoln, "Zoilo, Annibale", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). * Luzzasco Luzzaschi becomes master of Duke Alfonso of Ferrara's private ''musica da camera'', which was soon to become one of the most distinguished in Europe * Orlande de Lassus is made a nobleman by Emperor Maximilian II, and knighted by Pope Gregory XIII * Formation in Paris of Antoine de Baïf's Académie de Poésie et Musique, and consequent development of musique mesurée by composers such as Claude Le Jeune and Guillaume Costeley * First appearance of the air de cour, a ubiquitous type of popular secular music in France until around 1650 * Lázaro del Álamo leaves his post as maestro di capilla in Mexico City * Approximate date of the "Son de la Má Teodora", the earliest surviving example of s ...
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5 July
Events Pre-1600 * 328 – The official opening of Constantine's Bridge built over the Danube between Sucidava (Corabia, Romania) and Oescus (Gigen, Bulgaria) by the Roman architect Theophilus Patricius. * 1316 – The Burgundian and Majorcan claimants of the Principality of Achaea meet in the Battle of Manolada. * 1594 – Portuguese forces under the command of Pedro Lopes de Sousa begin an unsuccessful invasion of the Kingdom of Kandy during the Campaign of Danture in Sri Lanka. 1601–1900 * 1610 – John Guy sets sail from Bristol with 39 other colonists for Newfoundland. * 1687 – Isaac Newton publishes ''Philosophiæ Naturalis Principia Mathematica''. * 1770 – The Battle of Chesma between the Russian Empire and the Ottoman Empire begins. *1775 – The Second Continental Congress adopts the Olive Branch Petition. *1803 – The Convention of Artlenburg is signed, leading to the French occupation of the Electorate of Hanover (which had b ...
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Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley of Mexico within the high Mexican central plateau, at an altitude of . The city has 16 boroughs or ''demarcaciones territoriales'', which are in turn divided into neighborhoods or ''colonias''. The 2020 population for the city proper was 9,209,944, with a land area of . According to the most recent definition agreed upon by the federal and state governments, the population of Greater Mexico City is 21,804,515, which makes it the sixth-largest metropolitan area in the world, the second-largest urban agglomeration in the Western Hemisphere (behind São Paulo, Brazil), and the largest Spanish language, Spanish-speaking city (city proper) in the world. Greater Mexico City has a gross domestic product, GDP of $411 billion in 2011, which makes ...
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Pierre Certon
Pierre Certon (ca. 1510–1520 – 23 February 1572) was a French composer of the Renaissance. He was a representative of the generation after Josquin and Mouton, and was influential in the late development of the French chanson. Life Most likely he was born in Melun,Aimé Agnel/Richard Freedman, Grove but he lived most of his life in Paris. The earliest records of his life date from 1527, when he was in the service of the king. In 1530 he was charged with playing ball at Notre Dame Cathedral as well as refusing to go to a service, both dangerous irreverences that almost cost him prison time—but he was young enough to be forgiven. From this event a birthdate between 1510 and 1520 can be inferred. In 1536 he became a master of choristers at the Sainte-Chapelle (choir), and he remained at this post, with a few additional benefices, for the rest of his life. Another post he held late in his life – concurrently with his activity in Paris – was as canon at the cathedral in ...
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Maddalena Casulana
Maddalena Casulana (c. 1544 – c. 1590) was an Italian composer, lutenist and singer of the late Renaissance. She is the first female composer to have had a whole book of her music printed and published in the history of western music.Thomas W. Bridges. "Casulana, Maddalena." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/05155 (accessed January 10, 2010). Life and work Extremely little is known about her life, other than what can be inferred from the dedications and writings on her collections of madrigals. Most likely she was born at Casole d'Elsa, near Siena, from the evidence of her name. She received her musical education and early experiences in Florence. Her first work dates from 1566: four madrigals in a collection, ''Il Desiderio'', which she produced in Florence. Two years later she published in Venice her first actual book of madrigals for four voices, ''Il primo libro di madrigali'', which is the first ...
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Vincenzo Bellavere
Vincenzo Bellavere (also Bell'haver, Bell'aver, Belaver) (c.1540-1541 – 29 August 1587) was an Italian composer of the Venetian School. While a fairly minor figure in the Venetian School, he was a competent composer of madrigals and wrote a few works in the grand Venetian polychoral style. Biography Nothing is known about him prior to his appearance in Padua in 1567 as an organist at Crosieri Cathedral. That same year he tried to gain the prestigious job as first organist of the cathedral there. In 1568 he acquired the position of primary organist at the Scuola Grande di San Rocco, a Venetian establishment almost as prestigious as St. Mark's; he held this post until 1584 at which time he returned to Padua to take the post at the cathedral that he at first failed to win. In December 1585 he was fired from his job in Padua, probably because of an unexcused absence, but he returned to Venice to become organist of yet another Venetian church, Santo Stefano. In 1586 he became ...
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Lodovico Balbi
Ludovico Balbi (c. 1545 – 1604) was a Venetian singer and composer, and conductor. He was a pupil of Costanzo Porta and a choirmaster at Padua. Among his compositions are masses, motets, canzoni, madrigals, and others. Surviving compositions date as early as 1570.Pratt, Waldo Selden. ''The History of Music''. New York: G. Schirmer, Inc., 1907. p. 120. Biography Balbi was born in Venice around 1545. In 1565, he became a student of the great Italian composer Costanzo Porta. From 1570 to 1578, Balbi sang at St. Mark's Cathedral and was appointed ''maestro di cappella'' at the monastery S. Maria Glorioso del Frari. In 1582, Balbi declined an offer to be maestro at Milan Cathedral and instead referred one of his underlings, offending some high-ranking officials of the Roman Church. In 1585, Balbi accepted an offer to be maestro of the Cappella Anotoniana in Padua, although he wished to be maestro of Padua Cathedral. After moving to Feltre Cathedral in 1593 and later Treviso Cathedr ...
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Girolamo Scotto
Girolamo Scotto (Hieronymus Scotus; also Gerolamo) (c.1505 – 3 September 1572) was an Italian printer, composer, businessman and bookseller of the Renaissance, active mainly in Venice. He was the most influential member of the firm of Venetian printers, the House of Scotto, which existed from the late 15th century until 1615. At its peak in the 1560s, the Scotto firm under Girolamo was one of the preeminent publishing firms of Europe, producing volumes on law, scholasticism, philosophy, medicine, theology, and ancient literature in addition to music. Only the firm of Gardano produced more books of music in the 16th century than the House of Scotto under Girolamo; over half of Scotto's publications, 409 out of approximately 800 in total, were books of music.
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Ippolito Baccusi
Ippolito Baccusi (also Baccusii, Hippolyti) (c. 1550 – 2 September 1609) was an Italian composer of the late Renaissance, active in northern Italy, including Venice, Mantua, and Verona. A member of the Venetian School of composers, he had a strong reputation as a master of counterpoint, and wrote both sacred and secular vocal music.Patricia Ann Myers, "Baccusi, Ippolito". Grove Music Online. Oxford Music Online(accessed 4 January 2012). Little is known of his life other than the details of a few appointments, and what can be inferred from the dedications he wrote for his publications. He was born in Mantua. Sometime in the late 1560s he was appointed assistant director of the choir at San Marco di Venezia, San Marco in Venice, but he did not hold the position for long, going to Ravenna to study. In 1572 he was ''maestro di cappella'' at the church of Sant'Eufemia in Verona, where he may have been associated with the Veronese Accademia Filarmonica. On 14 November 1574 he was ...
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Giammateo Asola
Giammateo Asola (also spelled Gian Matteo, Giovanni Matteo; Asula, Asulae; 1532 or earlier – 1 October 1609) was an Italian composer of the late Renaissance. He was a prolific composer of sacred music, mostly in a conservative style, although he may have been one of the first composers to write a part for basso continuo. Life He was born in Verona, and began studying at San Giorgio in Alga in 1546 in the congregation of secular canons. While in Verona he most likely studied with Vincenzo Ruffo. In 1569 he became a secular parish priest, and in 1577 became ''maestro di cappella'' at Treviso Cathedral; however, in 1578 he went to Vicenza Cathedral to take the equivalent job there, where the pay and musical opportunities were greater. He only stayed there four years, going to Venice in 1582, which was the center of activity in northern Italy for sacred music. Except for a short return to Verona c. 1590–1591, he lived in Venice until his death, working at the church of S Seve ...
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Lauda (song)
The ''lauda'' (Italian pl. ''laude'') or ''lauda spirituale'' was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance. ''Laude'' remained popular into the nineteenth century. The lauda was often associated with Christmas, and so is in part equivalent to the English carol, French noel, Spanish villancico, and like these genres occupies a middle ground between folk and learned lyrics. Origin and spread of the lauda Originally, the ''lauda'' was a monophonic (single-voice) form, but a polyphonic type developed in the early fifteenth century. The early ''lauda'' was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence, during the Albigensian Crusade in the early 13th century, and settled in northern Italy where their music was influential in the development of the Italian secular style. ...
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Giovanni Animuccia
Giovanni Animuccia ( – March 1571)Lockwood and O’Regan, ''Animuccia, Giovanni,'' Grove Music Online. was an Italian composer of the Renaissance who was involved in the heart of Rome's liturgical musical life. He was one of Giovanni Pierluigi da Palestrina's most important predecessors and possibly his mentor. As ' of St Philip Neri's Oratory and the Capella Giulia at St Peter's, he was composing music at the very center of the Roman Catholic Church, during the turbulent reforms of the Counter-Reformation and as part of the new movements that began to flourish around the middle of the century. His music reflects these changes. Early life: Florence Animuccia was born in Florence around the beginning of the 16th century. The exact date is variously given as the end of the 15th century, , , and . His brother Paolo Animuccia was also a celebrated composer. However, little is known about their training and work during this period. Giovanni's first and second book of madrig ...
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Antonio Gardano
Antonio Gardano (also Antoine Gardane) (1509 – 28 October 1569) was a French-born Italian composer and important music publisher and printer based in Venice. Life and career Gardano arrived in the city as a "musico francese" whose musical compositions had been published in Lyons by Jacques Moderne from 1532. Gardano set up a publishing house and between 1538 and 1569 published 450 editions of prominent composers, half of them Italian madrigals. The composers best-represented in Gardano's output included Jacques Arcadelt, Cipriano de Rore, Orlande de Lassus, and Adrian Willaert, accounting for about 25 percent of his total publications. Gardano and Girolamo Scotto, owner of the other large Venetian publishing house in the middle of the 16th century, held an effective monopoly on publishing in Italy for several decades. While the house of Scotto published volumes on law, medicine, philosophy, and theology in addition to music, Gardano published only music.Jane Bernstein, "Scotto ...
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