1517 In Art
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1517 In Art
Events from the year 1517 in art. Events * Hans Baldung leaves Freiburg and returns to Strasbourg. * Sebastiano del Piombo begins painting ''The Raising of Lazarus'' (circa 1517). * Perugino completes the altarpiece for the San Agostino Church in Perugia. * Pontormo begins work on ''Joseph in Egypt'' (completed in 1518). * Raphael begins decorating the '' Logge Vaticane'' (completed in 1519). * Domenico Fancelli completes sculpting the tomb of the Catholic Monarchs in the Royal Chapel of Granada. Works * Andrea del Sarto – '' Madonna of the Harpies'' * Hans Baldung – ''Death and the Maiden'' * Lucas Cranach the Elder – ''Portrait of a Saxon Princess'' * Niklaus Manuel Deutsch – ''Death and the Maiden'' * Lorenzo Lotto – ''Susanna and the Elders'' * Quentin Matsys – ''Portrait of Desiderius Erasmus'' *Pontormo – ''St. Quentin'' *Raphael **''Christ Falling on the Way to Calvary'' (''Lo Spasimo''; approximate date) **''The Path of Suffering'' *Raphael's workshop ...
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Hans Baldung
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism. Throughout his lifetime, he developed a distinctive style, full of colour, expression and imagination. His talents were varied, and he produced a great and extensive variety of work including portraits, woodcuts, drawings, tapestries, altarpieces, and stained glass, often relying on allegories and mythological motifs. Life Early life, c. 1484–1500 Hans was born in Schwäbisch Gmünd (formerly Gmünd in Germany), a small free city of the Empire, part of the East Württemberg region in former Swabia, Germany, in the year 1484 or 1485. Baldung was the son of Johann Baldung, a university-educated jurist, who held the office of leg ...
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Catholic Monarchs
The Catholic Monarchs were Queen Isabella I of Castile and King Ferdinand II of Aragon, whose marriage and joint rule marked the ''de facto'' unification of Spain. They were both from the House of Trastámara and were second cousins, being both descended from John I of Castile; to remove the obstacle that this consanguinity would otherwise have posed to their marriage under canon law, they were given a papal dispensation by Sixtus IV. They married on October 19, 1469, in the city of Valladolid; Isabella was eighteen years old and Ferdinand a year younger. It is generally accepted by most scholars that the unification of Spain can essentially be traced back to the marriage of Ferdinand and Isabella. Spain was formed as a dynastic union of two crowns rather than a unitary state, as Castile and Aragon remained separate kingdoms until the Nueva Planta decrees of 1707–16. The court of Ferdinand and Isabella was constantly on the move, in order to bolster local support for the c ...
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Christ Falling On The Way To Calvary
''Christ Falling on the Way to Calvary'', also known as ''Lo Spasimo'' or ''Il Spasimo di Sicilia'', is a painting by the Italian High Renaissance painter Raphael, of c. 1514–16, now in the Museo del Prado in Madrid. It is an important work for the development of his style. Description It shows the common subject of Christ Carrying the Cross to his crucifixion, at the moment when he fell and his mother suffers a spasm of agony, the Swoon of the Virgin, or "Lo Spasimo". All the emotion of the painting is densely crammed into the foreground and the background is similar to that of a stage set with distant groups of people and crosses. The man on the left in the foreground is similar to a figure in Raphael's painting ''The Judgement of Solomon'' in the Raphael Rooms in the Vatican Palace, except reversed. Simon of Cyrene lifts Christ's cross momentarily and looks sternly at the guards. The four Marys are depicted on the right side of the painting and towering on either side of ...
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Desiderius Erasmus
Desiderius Erasmus Roterodamus (; ; English: Erasmus of Rotterdam or Erasmus;''Erasmus'' was his baptismal name, given after St. Erasmus of Formiae. ''Desiderius'' was an adopted additional name, which he used from 1496. The ''Roterodamus'' was a scholarly name meaning "from Rotterdam", though the Latin genitive would be . 28 October 1466 – 12 July 1536) was a Dutch philosopher and Catholic theologian who is considered one of the greatest scholars of the northern Renaissance.Gleason, John B. "The Birth Dates of John Colet and Erasmus of Rotterdam: Fresh Documentary Evidence", Renaissance Quarterly, The University of Chicago Press on behalf of the Renaissance Society of America, Vol. 32, No. 1 (Spring, 1979), pp. 73–76www.jstor.org/ref> As a Catholic priest, he was an important figure in classical scholarship who wrote in a pure Latin style. Among humanists he was given the sobriquet "Prince of the Humanists", and has been called "the crowning glory of the Christian humanists ...
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Quentin Matsys
Quentin Matsys ( nl, Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies. He is regarded as the founder of the Antwerp school of painting, which became the leading school of painting in Flanders in the 16th century. He introduced new techniques and motifs as well as moralising subjects without completely breaking with the tradition.Nanny Schrijvers, ''Quinten Massijs ''
at Flemish Primitives


Early life

Most early accounts of Matsys' life are composed primarily of legend and very little con ...
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Susanna And The Elders (Lotto)
''Susanna and the Elders'' is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, dating from 1517. It is housed in the Uffizi Gallery of Florence. History The work has the signature ''LOTUS PICTOR 1517''. The date places it during Lotto's sojourn in Bergamo, executed perhaps as a private commission. It is likely that it formed a cover for a portrait. The painting is known in catalogues only from the 20th century, when it was part of the Benson collection ondon which was sold in 1927 by Benson's heirs to Duveen Brothers. At some point the painting was acquired by Alessandro Contini-Bonacossi, for 750 million liras.See Pietro Zampetti, Mostra di Lorenzo Lotto: Catalogo Ufficiale (Venezia, Palazzo Ducale, 14 giugno - 18 ottobre 1953) cat. no. 37 It was later transferred from his collection to the Uffizi, which now exhibits the painting in the room for Lombard painters. Description The painting depicts the story of Susanna from the Old Testament. She was ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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New York University Press
New York University Press (or NYU Press) is a university press that is part of New York University. History NYU Press was founded in 1916 by the then chancellor of NYU, Elmer Ellsworth Brown. Directors * Arthur Huntington Nason, 1916–1932 * No director, 1932–1946 * Jean B. Barr (interim director), 1946–1952 * Filmore Hyde, 1952–1957 * Wilbur McKee, acting director, 1957–1958 * William B. Harvey, 1958–1966 * Christopher Kentera, 1966–1974 * Malcolm C. Johnson, 1974–1981 * Colin Jones, 1981–1996 * Niko Pfund, 1996–2000 * Steve Maikowski, 2001–2014 * Ellen Chodosh, 2014–present Notable publications Once best known for publishing '' The Collected Writings of Walt Whitman'', NYU Press has now published numerous award-winning scholarly works, such as ''Convergence Culture'' (2007) by Henry Jenkins, ''The Rabbi's Wife'' (2006) by Shuly Schwartz, and ''The Encyclopedia of Jewish Life Before and During the Holocaust'' (2002). Other well-known names publish ...
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Niklaus Manuel Deutsch
Niklaus Manuel Deutsch (''Niklaus Manuel'', c. 1484 – 28 April 1530), of Bern, was a Swiss artist, writer, mercenary and Reformed politician. Biography Niklaus was most likely the son of Emanuel Aleman (or Alleman), a pharmacist whose own father had immigrated from Chieri in Piedmont, and his wife Margaretha Fricker (or Frikart), an illegitimate daughter of Bernese city scribe Thüring Fricker. He used "Manuel", the given name of his father, as his surname and used "Deutsch", as the German equivalent of the surname ''Alleman'', as an additional appellation, signing his works with the initials NMD. He is first recorded in 1509, when he married Katharina Frisching, daughter of Hans Frisching, a former Bernese reeve and member of the city council (''Kleiner Rat''). Niklaus Manuel and Katharina Frisching had six children. Two of them, Hans Rudolf Manuel Deutsch (1525–1571) and Niklaus Manuel Deutsch the Younger (1528–1588), were also artists. Niklaus Manuel is co ...
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Lucas Cranach The Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time. Early life He was born at Kronach in uppe ...
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Yale University Press
Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day, and became an official department of Yale University in 1961, but it remains financially and operationally autonomous. , Yale University Press publishes approximately 300 new hardcover and 150 new paperback books annually and has a backlist of about 5,000 books in print. Its books have won five National Book Awards, two National Book Critics Circle Awards and eight Pulitzer Prizes. The press maintains offices in New Haven, Connecticut and London, England. Yale is the only American university press with a full-scale publishing operation in Europe. It was a co-founder of the distributor TriLiteral LLC with MIT Press and Harvard University Press. TriLiteral was sold to LSC Communications in 2018. Series and publishing programs Yale Series of Younger Poets Since its inception in 1919, the Yale Series of Younger Poets Competition has published the first collection of ...
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Madonna Of The Harpies
''Madonna of the Harpies'' (Italian: ''Madonna delle Arpie'') is an altarpiece in oils by Andrea del Sarto, a major painter of the High Renaissance. It was commissioned in 1515 and signed and dated by the artist in 1517 in the inscription on the pedestal; it is now in the Uffizi in Florence. It was praised by Vasari, and is arguably the artist's best-known work. The Virgin is standing on a pedestal which includes harpies sculpted in relief, from which the painting takes its name. At least Vasari, and presumably his Florentine contemporaries, thought they were harpies; some modern art historians think that locusts are represented, in a reference to the Book of Revelation; either way they represent forces of evil being trampled on by the Virgin. It is a ''sacra conversazione'' showing the Virgin and Child flanked by putti angels and two saints (Saint Bonaventure or Francis and John the Evangelist). Compared to the stillness of earlier paintings of similar groups, here the "dyn ...
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