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1515 In Art
Events from the year 1515 in art. Events *Giovanni Antonio da Brescia's engraving of the Belvedere Torso attracts the interest of connoisseurs and artists outside Rome. Works * Giovanni Bellini – ''wikimedia:Image:Bellini mirror.jpg, Naked Young Woman in Front of the Mirror'' * Cima da Conegliano – ''Virgin and Child with Saints and Donors'' (Cleveland Museum of Art) * Piero di Cosimo – ''The Myth of Prometheus (Piero di Cosimo), The Myth of Prometheus'' (series) * Lucas Cranach the Elder – '':File:Cranach Massacre of the Innocents.JPG, The Massacre of the Innocents'' (approximate date) * Gerard David – ''Virgin and Child with Four Angels (David), Virgin and Child with Four Angels'' (approximate completion date) * Albrecht Dürer **"Arch of Honor" (printed 1517/18) **''Dürer's Rhinoceros, The Rhinoceros'' (woodcut) * Innocenzo di Pietro Francucci da Imola – ''The Virgin and Child with Saints Sebastian, Roch, Cosmas and Damian'' * Jan Gossaert – ''The Adoration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innocenzo Di Pietro Francucci Da Imola
Innocenzo (di Pietro) Francucci (c. 1490 – c. 1550), generally known as Innocenzo da Imola, was an Italian painter and draftsman. Biography The son of a goldsmith named Pietro, he was born in Imola sometime around 1490. After presumably studying with his father in Imola, by 1506 he had moved to nearby Bologna to study painting. According to Carlo Cesare Malvasia he entered the studio of Francesco Francia in 1508 (although the reliability of this claim has been questioned). He later went to Florence where in 1510 he worked under the direction of Mariotto Albertinelli. His earliest known works include ''The Virgin and Child with Saints Sebastian, Roch, Cosmas and Damian'' was signed and dated in 1515. ''The Virgin and Child with Saints John, Apollinaris and Catherine and a Bishop'', signed and dated in 1516. This second painting is in Cásola Valsenio, near Bologna. During his life he produced a series of religious frescoes and altarpieces, painted in a Raphaelesque ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Bindo Altoviti (Raphael)
The ''Portrait of Bindo Altoviti'' is a painting finished around 1515 by the Italian High Renaissance painter Raphael. It is housed in the National Gallery of Art of Washington, D.C., United States. Bindo Altoviti was a rich banker born in Rome in 1491 of Florentine origin. He was a cultured man who liked the arts. The graceful, almost effeminate position of the subject along with the heavy contrast between light and shadow are atypical of Raphael's work, particularly of his portraits of men, demonstrating the artist's experimentation with different styles and forms in his later Roman period. The influence of the works of Leonardo, which Raphael studied astutely during this period of his career, is strikingly evident in this particular piece. The painting was a property of Altoviti's descendants until 1808, when it was sold to Ludwig I of Bavaria. It remained at the Alte Pinakothek until 1936, when, after many debates about its attribution, the painting was lured out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Baldassare Castiglione
''Portrait of Baldassare Castiglione'' is a c. 1514–1515 oil painting attributed to the Italian High Renaissance painter Raphael. Considered one of the great portraits of the Renaissance, it has an enduring influence. It depicts Raphael's friend, the diplomat and humanist Baldassare Castiglione, who is considered a quintessential example of the High Renaissance gentleman. Overview The portrait was produced as a result of Raphael's friendship with Castiglione, whose ascent in courtly circles paralleled that of the artist. They were close friends by 1504, when Castiglione made his second visit to Urbino, as Raphael was gaining recognition as an artist in the humanist circle of the city's ducal court.Loudon, 43 Raphael was commissioned by Guidobaldo da Montefeltro in 1505 to paint a picture for Henry VII; Castiglione traveled to England to present the finished painting to the king.Loudon, 43 It is possible that Castiglione later served as a "scholarly advisor" for Raphael's ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Pontormo
Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme, near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later style. Haunted faces and elongate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus (Leonardo)
''Bacchus'', originally ''Saint John the Baptist'', is a painting in the Musée du Louvre, Paris, France, based on a drawing by the Italian Renaissance artist Leonardo da Vinci. It is presumed to have been executed by an unknown follower, perhaps in Leonardo's workshop. Sydney J. Freedberg assigns the drawing to Leonardo's second Milan period. Among the Lombard painters who have been suggested as possible authors are Cesare da Sesto, Marco d'Oggiono, Francesco Melzi, and Cesare Bernazzano. The painting shows a male figure with garlanded head and leopard skin, seated in an idyllic landscape. He points with his right hand off to his left, and with his left hand grasps his thyrsus and also points down to earth. The painting originally depicted John the Baptist. In the late 17th century, between the years 1683 and 1693, it was overpainted and altered to serve as ''Bacchus''. The model for the ''John the Baptist / Bacchus / Angelo incarnato'' series was Salaì. Cassiano dal Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alsace
Alsace (, ; ; Low Alemannic German/ gsw-FR, Elsàss ; german: Elsass ; la, Alsatia) is a cultural region and a territorial collectivity in eastern France, on the west bank of the upper Rhine next to Germany and Switzerland. In 2020, it had a population of 1,898,533. Alsatian culture is characterized by a blend of Germanic and French influences. Until 1871, Alsace included the area now known as the Territoire de Belfort, which formed its southernmost part. From 1982 to 2016, Alsace was the smallest administrative ''région'' in metropolitan France, consisting of the Bas-Rhin and Haut-Rhin departments. Territorial reform passed by the French Parliament in 2014 resulted in the merger of the Alsace administrative region with Champagne-Ardenne and Lorraine to form Grand Est. On 1 January 2021, the departments of Bas-Rhin and Haut-Rhin merged into the new European Collectivity of Alsace but remained part of the region Grand Est. Alsatian is an Alemannic dialect closely related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colmar
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the ''Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unterlinden Museum
The Unterlinden Museum (French: ''Musée Unterlinden'') is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a 1906 former public baths building, is home to the Isenheim Altarpiece by the German Renaissance painter Matthias Grünewald and features a large collection of local and international artworks and manufactured artifacts from prehistorical to contemporary times. It is a ''Musée de France''. With roughly 200,000 visitors per year, the museum is the most visited in Alsace. History The museum was established in 1849, the buildings (abandoned following the French Revolution) having been saved by the ''Societé Schongauer'' (founded in 1847 by Louis Hugot) and bequeathed to it by the municipality. The collection at first centered around a Roman mosaic found in Bergheim, Haut-Rhin, still displayed today, and plaster copies of antique sculptures on loan from the Louvre. In 1852, the focus of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isenheim Altarpiece
The ''Isenheim Altarpiece'' is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece. It was painted for the Monastery of St. Anthony in Issenheim near Colmar, which specialized in hospital work. The Antonine monks of the monastery were noted for their care of plague sufferers as well as for their treatment of skin diseases, such as ergotism. The image of the crucified Christ is pitted with plague-type sores, showing patients that Jesus understood and shared their afflictions. The veracity of the work's depictions of medical conditions was unusual in the history of European art. Composition The altarpiece has two sets of wings, displaying three configurations: Wings closed: With the exception of certain holy days, the wings of the altarpiece were kept closed, displa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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