1507 In Art
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1507 In Art
Events from the year 1507 in art. Events {{Empty section, date=July 2010 Works Image:Raffael 020.jpg, Raphael, ''St. Catherine of Alexandria'' Image:Raffael 050.jpg, Raphael, '' Canigiani Holy Family'' Image:Raffael 009.jpg, Raphael, ''La belle jardinière'' Image:Giorgione_029b.jpg, Giorgione, '' The Three Philosophers'' Image:T'ang Yin 001.jpg, Tang Yin, ''Clearing after Snow on a Mountain Pass'' Painting * Vittore Carpaccio **''St. Augustine in His Study'' ( Scuola di San Giorgio degli Schiavoni, Venice) **'' St. George Baptizing the Selenites'' **''St. Thomas in Glory between St Mark and St Louis of Toulouse'' * Albrecht Dürer ** ''Adam'' and ''Eve'' **''Avarice'' * Giorgione – '' The Three Philosophers'' * Leonardo da Vinci – ''Salvator Mundi'' (approximate date) * Filippino Lippi, finished by Pietro Perugino – ''Annunziata Polyptych'' * Michelangelo – ''Doni Tondo'' (approximate date of completion) * Pietro Perugino – ''Baptism of Jesus'' (Oratory of Nunzi ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ...
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Juan De Juni
Juan de Juni (Fr. Jean de Joigny; c. 1507–1577) was a French–Spanish sculptor, who also worked as a painter and architect. Career Juan de Juni was born in Joigny, France, but began working in Italy, where he was first employed. In 1533 he went to live in León and Medina de Rioseco before moving to Valladolid in 1540. He was best known as a religious sculptor who incorporated great emotion into his figures. Selected works * ''Lamentation of Christ''. Polychrome wood. National Sculpture Museum (Valladolid). * Altarpiece for the church of Santa María La Antigua (Valladolid), now in the Cathedral of Valladolid. * ''Entombment''. Polychrome wood. Segovia Cathedral Segovia Cathedral is the Gothic-style Roman Catholic cathedral located in the main square ( Plaza Mayor) of the city of Segovia, in the community of Castile-Leon, Spain. The church, dedicated to the Virgin Mary, was built in the Flamboyant Goth .... * ''Virgin with seven knives''. Polychrome wood. Referenc ...
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1581 In Art
Events from the year 1581 in art. Events *September 19 – Arnold Bronckhorst is appointed first court painter to James VI of Scotland. *Construction of the Uffizi in Florence as magistrates' offices, designed by Giorgio Vasari and continued by Alfonso Parigi the Elder and Bernardo Buontalenti, is completed. Works *Anonymous – :File:Dorothy and Penelope Devereux.jpg, Portrait of Dorothy and Penelope Devereux (approximate date) *Antonio Campi – ''Lawrence of Rome#Martyrdom, The Martyrdom of St. Lawrence'' (San Paolo Converso, Milan) *Lavinia Fontana **''Deposition'' **''Noli me tangere'' *Nicholas Hilliard – :File:Sfdrake42.jpg, Portrait miniature of Sir Francis Drake Births *October 21 – Domenico Zampieri, Baroque Italian painter (died 1641 in art, 1641) *December 27 - Jean Chalette, French miniature and portrait painter (died 1643 in art, 1643) *''date unknown'' **Johan Bara, Dutch painter, designer and engraver (died 1634 in art, 1634) **Frans Francken the Younger, F ...
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Girolamo Comi
Girolamo Comi (1507–1581) was a 16th-century Italian Renaissance painter. Not much is known about Girolamo Comi's life except through his works. He primarily painted religious-themed paintings for church commissions. One work executed by Comi ''The Madonna with St George'' is part of the York Museums Trust York Museums Trust (YMT) is the charity responsible for operating some key museums and galleries in York, England. The trust was founded in 2002 to run York's museums on behalf of the City of York Council. It has seen an increase in annual foo ... collection. References 1507 births 1581 deaths 16th-century Italian painters Italian male painters Italian Renaissance painters {{Italy-painter-16thC-stub ...
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1562 In Art
{{Year nav topic5, 1562, art Events from the year 1562 in art. Events * In Venice, sumptuary laws decree that all gondolas must be painted black to prevent lavish displays of wealth. * Giorgio Vasari, who had begun work on the Uffizi in Florence in 1560, founds the Academy of Design. * Paolo Veronese begins painting ''The Wedding at Cana'' (1562-1563). * The Medici court astronomer Fra Ignazio Danti paints maps at the Palazzo Vecchio. * Tintoretto begins the three paintings of the miracles of St. Mark (1562–66) for the Scuola di San Marco. * Flemish artist Hieronymus Cock and Spanish cartographer Diego Gutiérrez produce the map ''Americae Sive Quartae Orbis Partis Nova Et Exactissima Descriptio''. Paintings * Pieter Brueghel the Elder paints '' The Triumph of Death'' and ''Dull Gret'', both strongly influenced by the style of Hieronymus Bosch. * Frans Floris paints '' The Sacrifice of Jesus Christ, Son of God, Gathering and Protecting Mankind (Allegory of the Trinity)'' ...
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French Renaissance
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European Renaissance, a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe. Notable developments during the French Renaissance include the spread of humanism, early exploration of the "New World" (as New France by Giovanni da Verrazzano and Jacques Cartier); the development of new techniques and artistic forms in the fields of printing, architecture, painting, sculpture, music, the sciences and literature; and the elaboration of new codes of sociability, etiquette and discourse. The French Renaissance traditionally extends from (roughly) the French invasion of Italy in 1494 during the reign of Charles VIII until the death of Henry IV in 1610. This chronology notwithstanding, certain artistic, technological or literary developments associated with the Renaissance ar ...
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Funeral Monument
Funerary art is any work of art forming, or placed in, a repository for the remains of the death, dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed Dynasty, dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of object ...
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Pierre Bontemps
Pierre Bontemps (c. 1505–1568) was a French sculptor known for his funeral monuments; he was, with Germain Pilon, one of the pre-eminent sculptors of the French Renaissance. He executed most of the bas-reliefs on the tomb of King Francis I of France, representing the French victories at the battle of Marignano and the battle of Ceresole. His also are the statues of the king, Queen Claude, the Dauphin, and Louis XII and Anne of Brittany on Louis' tomb in the Basilica of Saint-Denis. The figures from the tomb of Charles de Maigny (c. 1556) now reside in the Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l .... In 1936, a sale of contents from the chateau of Monchy-Humières included a full-length marble tomb which had been used as a garden ornament. Origina ...
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The Deposition (Raphael)
''The Deposition'', also known as the ', ''Borghese Entombment'' or ''The Entombment'', is an oil painting by the Italian High Renaissance painter Raphael. Signed and dated "Raphael. Urbinas. MDVII", the painting is in the Galleria Borghese in Rome.Baldini 106 It is the central panel of a larger altarpiece commissioned by Atalanta Baglioni of Perugia in honor of her slain son, Grifonetto Baglioni. Like many works, it shares elements of the common subjects of the Deposition of Christ, the Lamentation of Christ, and the Entombment of Christ. The painting is on wood panel and measures 184 x 176 cm. The Commission In the early part of the 16th Century, violence among factions, mostly in the form of hand-to-hand combat, was relatively common in Perugia and other parts of Italy, such as Florence. The Baglioni family were the lords of Perugia and surrounding areas, and also leading condottiere or leaders of mercenary troops. There was an especially bloody episode in Perugia on th ...
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Ansidei Madonna
The ''Ansidei Madonna'' (Italian language, Italian: Pala Ansidei) is a 1505–1507 painting by the Italian Renaissance, Italian High Renaissance artist Raphael, painted during his Florence, Florentine period. It shows the Blessed Virgin Mary sitting on a wooden throne, with the child Jesus, Christ on her lap. On her right John the Baptist stands, on her left Saint Nicholas is reading. At the time the painting was commissioned, there were other paintings that made up the grouping for the altarpiece. Of the predellas, the only that remains is ''Saint John the Baptist Preaching,'' the others are inexplicably lost. Both the main painting, ''"Ansidei Madonna"'', and the predella ''"Saint John the Baptist Preaching"'', are located at the National Gallery in London. The painting The Blessed Virgin Mary, Virgin sits formally on a high throne, with an adult Saint John the Baptist on the left, and Saint Nicholas of Bari to the right. Painted for effect rather than realism, the throne has ...
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Foligno
Foligno (; Southern Umbrian: ''Fuligno'') is an ancient town of Italy in the province of Perugia in east central Umbria, on the Topino river where it leaves the Apennines and enters the wide plain of the Clitunno river system. It is located south-east of Perugia, north-north-west of Trevi and south of Spello. While Foligno is an active bishopric, one of its civil parishes, San Giovanni Profiamma, is the historical site of the former bishopric of Foro Flaminio, which remains a Latin Catholic titular see. Foligno railway station forms part of the main line from Rome to Ancona, and is the junction for Perugia; it is thus an important rail centre, with repair and maintenance yards for the trains of central Italy, and was therefore subjected to severe Allied aerial bombing in World War II, responsible for its relatively modern aspect, although it retains some medieval monuments. Of its Roman past no significant trace remains, with the exception of the regular street plan of the c ...
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