1420s In Art
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1420s In Art
The decade of the 1420s in art involved some significant events. Events * February 19, 1426: Masaccio is commissioned to paint a major altarpiece, the Pisa Polyptych altarpiece in the church of Santa Maria del Carmine in Pisa. * c. 1426 – Bahram Gur and the Indian Princess in Her Black Pavilion, a copy of the 12th century "Haft Paykar" (Seven Beauties) of Nizami Ganjavi, Herat, Afghanistan, is made. Timurid dynasty period. It is now kept at The Metropolitan Museum of Art, New York. * Devonshire Hunting Tapestries woven. Works File:Gentile da Fabriano Adoration.jpg, 1423: Gentile, ''Adoration of the Magi'' Image:Masolino_008.jpg, 1424: Masaccio, '' Virgin and Child with St. Anne'' Image:Anonymous 15th-century Florence - NGA.jpg, 1425: Masaccio, '' Portrait of a Young Man'' Image:Crucifix Masaccio.jpg, 1426: Masaccio, ''Crucifixion'' Image:Madonna Masaccio.jpg, 1426: Masaccio, ''The Madonna and Child'' Image:Masaccio_trinity.jpg, 1428: Masaccio, ''The Holy Trinity'' Painting ...
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1410s In Art
The decade of the 1410s in art involved some significant events. Events * Across Europe, frescoes and tapestries are produced. * c.1410: Starting point of the most celebrated decade in Hubert van Eyck's activity. * c.1410: John, Duke of Berry, commissions the '' Très Riches Heures du Duc de Berry'', illustrated by the Limbourg brothers between c.1412 and 1416. * 1416: Nanni di Banco, guild member of the Masters of Stone and Wood, installs his "Four Crowned Martyr Saints" at the Orsanmichele guild hall in Florence. * 1418: Brunelleschi and Ghiberti submit plans for the dome of Florence Cathedral. * 1419: Brunelleschi designs the loggia of the Ospedale degli Innocenti in Florence. * 1419: The marble Fonte Gaia in the Piazza del Campo of Siena is sculpted by Jacopo della Quercia. His figures of Rhea Silvia and Acca Larentia are the first two female nudes (other than Eve or repentant saints) to stand in a public place since Antiquity. Paintings * c.1410: ''Madonna of Zlatá ...
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Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ...
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Gold-ground
Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance. The style has been used in several periods and places, but is especially associated with Byzantine and medieval art in mosaic, illuminated manuscripts and panel paintings, where it was for many centuries the dominant style for some types of images, such as icons. For three-dimensional objects, the term is gilded or gold-plated. Gold in mosaic began in Roman mosaics around the 1st century AD, and originally was used for details and had no particular religious connotation, but in Early Christian art it came to be regarded as very suitable for representing Christian religious figures, highlighting them against a plain but glistering background that might be read as representing heaven, or a less specific spiritual plane. Full-l ...
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Giovanni Di Paolo
Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic ''Miracle of St. Nicholas of Tolentino'' painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly ''Last Judgment, Heaven, and Hell'' from about 1465 and ''Assumption'' painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in ...
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Fra Angelico
Fra Angelico (born Guido di Pietro; February 18, 1455) was an Italian painter of the Early Renaissance, described by Vasari in his '' Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence. He was known to contemporaries as Fra Giovanni da Fiesole (Brother John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II proclaimed him "blessed" in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to distingu ...
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Holy Trinity (Masaccio)
''The Holy Trinity, with the Virgin and Saint John and donors'' ( it, Santa Trinità ) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence. The fresco was one of Masaccio's last major commissions and is often cited as one of the first monumental Renaissance paintings to utilize linear perspective. History The ''Trinity'' is thought to have been created by Masaccio between 1425–1427. He died in late 1428 at the age of 26, or having just turned 27, leaving behind a relatively small body of work. Location The fresco is located along the middle of the basilica's left aisle. Although the configuration of this space has changed since the artwork was created, there are clear indications that the fresco was aligned ''very'' precisely in relationship with the sight-lines and perspective arrangement of the room at the time; particularly a former entrance-way facing the painting; in order to enhance the ''trompe-l'œil'' e ...
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1428
Year 1428 ( MCDXXVIII) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. Events January–December * February 2 – 1428 Catalonia earthquake. The earthquake takes place during Candlemas, striking the region of Catalonia, especially Roussillon, with an epicentre near Camprodon. The earthquake is one of a series of related seismic events that shake Catalonia in a single year. Beginning on 23 February 1427, tremors are felt in March, April, 15 May at Olot. * June 3 – Dan II leads an army against the Ottomans at Golubac Fortress, obtaining a treaty that will allow him a semi-peaceful rule in Wallachia, until 1432. * August 30 – Emperor Go-Hanazono accedes to the throne of Japan. * October 12 – English forces under Thomas Montacute, 4th Earl of Salisbury, besiege Orléans. Jean de Dunois, the Bastard of Orléans, commands the defenders. * October 24 – Thomas Montacute, 4th Earl of Salisbu ...
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The Madonna And Child (Masaccio)
The Pisa Altarpiece ( it, Polittico di Pisa) was a large multi-paneled altarpiece produced by Masaccio for the chapel of Saint Julian in the church of Santa Maria del Carmine in Pisa. The chapel was owned by the notary Giuliano di Colino, who commissioned the work on February 19, 1426 for the sum of 80 florins. Payment for the work was recorded on December 26 of that year. The altarpiece was dismantled and dispersed to various collections and museums in the 18th century, but an attempted reconstruction was made possible due to a detailed description of the work by Vasari in 1568. It was a tempera painting on a gold ground and wood panel. It originally had at least five compartments organised in two registers, making ten main panels, of which only four are known to have survived. Another four side panels and three predella panels (two of which had a double scene) are now in the Gemäldegalerie, Berlin. The altarpiece's central panel was ''Madonna and Child with Angels'', pro ...
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Crucifixion (Masaccio)
The Pisa Altarpiece ( it, Polittico di Pisa) was a large multi-paneled altarpiece produced by Masaccio for the chapel of Saint Julian in the church of Santa Maria del Carmine in Pisa. The chapel was owned by the notary Giuliano di Colino, who commissioned the work on February 19, 1426 for the sum of 80 florins. Payment for the work was recorded on December 26 of that year. The altarpiece was dismantled and dispersed to various collections and museums in the 18th century, but an attempted reconstruction was made possible due to a detailed description of the work by Vasari in 1568. It was a tempera painting on a gold ground and wood panel. It originally had at least five compartments organised in two registers, making ten main panels, of which only four are known to have survived. Another four side panels and three predella panels (two of which had a double scene) are now in the Gemäldegalerie, Berlin. The altarpiece's central panel was ''Madonna and Child with Angels'', produc ...
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1426
Year 1426 ( MCDXXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events * March 6 – Battle of St. James (near Avranches): An English army under John, Duke of Bedford, defeats the French under Arthur de Richemont, forcing the Duke of Brittany to recognize English suzerainty. * c. May 15 - 16 – Kale Kye-Taung Nyo, ruler of the Kingdom of Ava, flees his capital. He is succeeded by Mohnyin Thado, who receives Thinkhaya III of Toungoo. * June 16 – Hussite Wars – Battle of Usti nad Labem: The Hussites decisively beat the crusading armies in the Fourth Anti-Hussite Crusade. * July 7 – Battle of Chirokitia: King Janus of Cyprus is defeated and captured by the Mamluks and brought to Egypt, where he is ransomed after ten months. * Date unknown ** Castello Orsini-Odescalchi is built in Bracciano, Italy by the Orsini family. ** Eunuch-dominated secret police start to control the palace guards and imper ...
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Portrait Of A Young Man (Masaccio)
''Portrait of a Young Man'' is a painting attributed to the Italy, Italian Renaissance painter Masaccio, although this attribution is disputed. The identity of the chaperon (headgear), chaperon-wearing subject of this painting is unknown. The portrait is currently displayed in the National Gallery of Art in Washington, D.C. External links Profile Portrait of a Young Man
Paintings by Masaccio 1425 paintings Collections of the National Gallery of Art 15th-century portraits {{15C-painting-stub ...
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1425
Year 1425 ( MCDXXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events * November 9 – Kale Kye-Taung Nyo becomes King of Ava by having his lover, Queen Shin Bo-Me, assassinate his 8-year-old nephew, King Min Hla. * December 9 – The Old University of Leuven, Belgium is founded. * Date unknown ** The Maltese people rise up against Don Gonsalvo Monroy, count of Malta. The insurgents repel an attempt by the Viceroy of Sicily to bring the island to order. The Maltese do not submit to Catalan-Aragonese rule, until the Magna Charta Libertatis, granting them their new rights, is delivered to them. ** Beijing, capital of China, becomes the largest city in the world, taking the lead from Nanjing (estimated date). ** By this year, paper currency in China is worth only 0.025% to 0.014% of its original value in the 14th century; this, and the counterfeiting of copper coin currency, will lead to a dramatic shift to u ...
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