|
12th Century In Poetry
Europe Events * Emergence of the troubadour, trouvère and minnesänger traditions, in the Occitan, Langues d'oïl and Middle High German vernaculars respectively Major works * 1180 to 1210 - '' Nibelungenlied'' * ''Aiol and Mirabel'' in Old French * ''The Tale of Igor's Campaign'' in Old East Slavic, dated near the end of the century * '' Durham'' in Old English * '' Ormulum'' in Middle English * ''Chanson d'Antioche'' and other crusader tales at the beginning of the century. Poets * Chakhrukhadze poet, author of ''Tamariani'' * Shota Rustaveli poet of the 12th century, author of "The Knight in the Panther's Skin" * Chrétien de Troyes flourishes in the 1170s and 1180s * Marie de France flourishes from approximately 1170 through 1205/1210, author of ''lais'' in Anglo-Norman * Jean Bodel * Undated troubadors ** Bernart de Ventadorn (c. 1130s - c. 1190s) ** Cercamon (fl. 1130s and 1140s) ** Marcabru (fl. 1140s and 1150s) ** Arnaut de Mareuil (fl. late 12th century) * Golia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shota Rustaveli
Shota Rustaveli ( ka, შოთა რუსთაველი, c. 1160 – after c. 1220), mononymously known simply as Rustaveli, was a medieval Georgian poet. He is considered to be the pre-eminent poet of the Georgian Golden Age and one of the greatest contributors to Georgian literature. Rustaveli was the author of ''The Knight in the Panther's Skin'', a Georgian national epic poem. Biography Little, if anything, is known about Rustaveli from contemporary sources. Shota Rustaveli was born in 1166. He started serving Queen Tamar as a Minister of Finance in 1191. His poem itself, namely the prologue, provides a clue to his identity: the poet identifies himself as "a certain Rustveli." "Rustveli" is not a surname, but a territorial epithet that can be interpreted as "of/from/holder of Rustavi". Later Georgian authors from the 15th through 18th centuries are more informative; they are almost unanimous in identifying him as Shota Rustaveli, a name that is preserved on a fresco a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goliard
The goliards were a group of generally young clergy in Europe who wrote satirical Latin poetry in the 12th and 13th centuries of the Middle Ages. They were chiefly clerics who served at or had studied at the universities of France, Germany, Spain, Italy, and England, who protested against the growing contradictions within the church through song, poetry and performance. Disaffected and not called to the religious life, they often presented such protests within a structured setting associated with carnival, such as the Feast of Fools, or church liturgy. Etymology The derivation of the word is uncertain. It may come from the Latin ''gula,'' gluttony. It may also originate from a mythical "Bishop Golias," a medieval Latin form of the name Goliath, the giant who fought King David in the Bible—thus suggestive of the monstrous nature of the goliard. Another source may be ''gailliard,'' a "gay fellow". Many scholars believe the term ''goliard'' is derived from a letter between Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnaut De Mareuil
Arnaut de Mareuil (''fl.'' late 12th century) was a troubadour, composing lyric poetry in the Occitan language. Twenty-five, perhaps twenty-nine, of his songs, all ''Canso (song), cansos'', survive, six with music. According to Hermann Oelsner's contribution to the Encyclopædia Britannica Eleventh Edition, 1911 ''Encyclopædia Britannica'', Arnaut de Mareuil surpassed his more famous contemporary Arnaut Daniel in "elegant simplicity of form and delicacy of sentiment". This runs against the consensus of both past and modern scholars: Dante, Petrarch, Ezra Pound, Pound and Eliot, who were familiar with both authors and consistently proclaim Daniel's supremacy His name indicates that he came from Mareuil-sur-Belle in Périgord. He is said to have been a "clerk" from a poor family who eventually became a jongleur; he settled at the courts of Toulouse and then Béziers. He apparently loved the countess Azalais of Toulouse, Azalais, daughter of Raymond V of Toulouse, married to Roger II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcabru
Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cercamon
Cercamon (, fl. 1135-1145) was one of the earliest troubadours. His true name and other biographical data are unknown. He was apparently a Gascony-born jester of sorts who spent most of his career in the courts of William X of Aquitaine and perhaps of Eble III of Ventadorn. He was the inventor of the ''planh'' (the Provençal dirge), of the ''tenso'' (a sort of rhymed debate in which two poets write one stanza each) and perhaps of the ''sirventes''. Most of the information about Cercamon's life is nothing but rumour and conjecture; some of his contemporaries credit him as Marcabru's mentor, and some circumstantial evidence points to his dying on crusade as a follower of Louis VII of France. About seven of his lyrics survive, but not a single melody; the works that most contributed to his fame among his contemporaries, his '' pastorelas'' or pastourelles, are lost. ''Cercamon'' means "world searcher" in medieval Occitan. The fossil primate ''Cercamonius'' was named after him. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart De Ventadorn
Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn; – ) was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the ''trobar leu'' style, and for his prolific ''cançons'', which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity. Now thought of as "the Master Singer," he developed the '' cançons'' into a more formalized style which allowed for sudden turns. Bernart was known for being able to portray his women as divine agents in one moment and then, in a sudden twist, as Eve – the cause of man's initial sin. This dichotomy in his work is portrayed in a "gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadors
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Bodel
Jean Bodel (c. 1165 – c. 1210), was an Old French poet who wrote a number of ''chanson de geste, chansons de geste'' as well as many fabliaux. He lived in Arras. Writings Bodel wrote ("Song of the Saxons") about the war of King Charlemagne with the Saxon people, Saxons and their leader Widukind, whom Bodel calls ''Guiteclin''. He also wrote a miracle play called the '':fr:Le Jeu de saint Nicolas, Le Jeu de saint Nicolas'' ("The Game of Saint Nicolas"), which was probably first performed in Arras on 5 December 1200. Set in the middle of an epic battle between Christians and Muslims, the play tells the story of a good Christian who escapes the battle and is found praying to a statue of Saint Nicolas by the Muslim forces. The Muslim leader decides to test the saint by unlocking the doors to his treasury and leaving the statue as a guardian, stipulating that if anything were stolen the Christian would forfeit his life. Three thieves attempt to steal the treasure, but Saint Nicolas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Norman Language
Anglo-Norman, also known as Anglo-Norman French ( nrf, Anglo-Normaund) ( French: ), was a dialect of Old Norman French that was used in England and, to a lesser extent, elsewhere in Great Britain and Ireland during the Anglo-Norman period. When William the Conqueror led the Norman conquest of England in 1066, he, his nobles, and many of his followers from Normandy, but also those from northern and western France, spoke a range of langues d'oïl (northern varieties of Gallo-Romance). One of these was Old Norman, also known as "Old Northern French". Other followers spoke varieties of the Picard language or western registers of general Old French. This amalgam developed into the unique insular dialect now known as Anglo-Norman French, which was commonly used for literary and eventually administrative purposes from the 12th until the 15th century. It is difficult to know much about what was actually spoken, as what is known about the dialect is restricted to what was written, but i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lais Of Marie De France
The ''lais'' of Marie de France are a series of twelve short narrative Breton lais by the poet Marie de France. They are written in Anglo-Norman and were probably composed in the late 12th century, most likely between 1155-1170. The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. Marie's lais are thought to form the basis for what would eventually become the genre known as the Breton lais. Despite her stature in Anglo-Norman literature and medieval French literature generally, little is known of Marie herself, but it is thought that she was born in France and wrote in England. Literary character Marie de France's lais, told in octosyllables or eight-syllable verse, are notable for their celebration of love, individuality of character, and vividness of description, hallmarks of the emerging literature of the times. Five different manuscripts contain one or more of the lais, but only one, Harley 978, a 13 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Troubadour")
.jpg "Click for more on -> Marcabru")
.jpg "Click for more on -> Cercamon")
.jpg "Click for more on -> Bernart De Ventadorn")
