|
Affricate Consonant
An affricate is a consonant that begins as a stop and releases as a fricative, generally with the same place of articulation (most often coronal). It is often difficult to decide if a stop and fricative form a single phoneme or a consonant pair. English has two affricate phonemes, and , often spelled ''ch'' and ''j'', respectively. Examples The English sounds spelled "ch" and "j" ( broadly transcribed as and in the IPA), German and Italian ''z'' and Italian ''z'' are typical affricates, and sounds like these are fairly common in the world's languages, as are other affricates with similar sounds, such as those in Polish and Chinese. However, voiced affricates other than are relatively uncommon. For several places of articulation they are not attested at all. Much less common are labiodental affricates, such as in German, Kinyarwanda and Izi, or velar affricates, such as in Tswana (written ''kg'') or in High Alemannic Swiss German dialects. Worldwide, relati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ALA-LC Romanization For Russian
The American Library Association and Library of Congress Romanization Tables for Russian, or the Library of Congress system, are a set of rules for the romanization of Russian-language text from the Russian alphabet, which uses the Cyrillic script, to Latin script. Background The ALA-LC Romanization tables comprise a set of standards for romanization of texts in various languages, written in non-Latin writing systems. These romanization systems are intended for bibliographic cataloguing, and used in US and Canadian libraries, by the British Library since 1975,âSearching for Cyrillic items in the catalogues of the British Library: guidelines and transliteration tables€ť and in many publications worldwide. The romanization tables were first discussed by the American Library Association in 1885, and published in 1904 and 1908, including rules for romanizing some languages written in Cyrillic script: Church Slavic, Serbo-Croatian, and Russian in the pre-reform alphabet. Revised tab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. The IPA is used by linguists, lexicography, lexicographers, foreign language students and teachers, speech–language pathology, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical item, lexical (and, to a limited extent, prosodic) sounds in oral language: phone (phonetics), phones, Intonation (linguistics), intonation and the separation of syllables. To represent additional qualities of speechsuch as tooth wikt:gnash, gnashing, lisping, and sounds made with a cleft lip and cleft palate, cleft palatean extensions to the International Phonetic Alphabet, extended set of symbols may be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doubly Articulated Consonant
Doubly articulated consonants are consonants with two simultaneous primary places of articulation of the same manner (both plosive, or both nasal, etc.). They are a subset of co-articulated consonants. They are to be distinguished from co-articulated consonants with secondary articulation; that is, a second articulation not of the same manner. An example of a doubly articulated consonant is the voiceless labial–velar plosive , which is a and a pronounced simultaneously. On the other hand, the voiceless labialized velar plosive has only a single stop articulation, velar (), with a simultaneous approximant-like rounding of the lips. In some dialects of Arabic, the voiceless velar fricative has a simultaneous uvular trill, but this is not considered double articulation either. Possibilities for double articulation There are four independently controllable articulations that may double up in the same manner of articulation: labial, coronal, dorsal, and pharyngeal. (The g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Languages
The Romance languages, also known as the Latin or Neo-Latin languages, are the languages that are Language family, directly descended from Vulgar Latin. They are the only extant subgroup of the Italic languages, Italic branch of the Indo-European languages, Indo-European language family. The five list of languages by number of native speakers, most widely spoken Romance languages by number of native speakers are: * Spanish language, Spanish (489 million): official language in Spain, Mexico, Equatorial Guinea, the Sahrawi Arab Democratic Republic, SADR, Cuba, Dominican Republic, Puerto Rico and most of Central America, Central and South America * French language, French (310 million): official in 26 countries * Portuguese language, Portuguese (240 million): official in Portugal, Brazil, Portuguese-speaking African countries, Portuguese-speaking Africa, Timor-Leste and Macau * Italian language, Italian (67 million): official in Italy, Vatican City, San Marino, Switzerland; mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prenasalized Consonant
Prenasalized consonants are phonetic sequences of a nasal and an obstruent (or occasionally a non-nasal sonorant) that behave phonologically like single consonants. The primary reason for considering them to be single consonants, rather than clusters as in English ''finger'' or ''member'', lies in their behaviour; however, there may also be phonetic correlates which distinguish prenasalized consonants from clusters. Because of the additional difficulty in both articulation and timing, prenasalized fricatives and sonorants are not as common as prenasalized stops or affricates, and the presence of the former implies the latter. Only three languages ( Sinhala, Fula, Selayarese) have been reported to have a contrast between prenasalized consonants (C) and their corresponding clusters (NC). In most languages, when a prenasalized consonant is described as "voiceless", it is only the oral portion that is voiceless, and the nasal portion is modally voiced. Thus, a language may hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diacritic
A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacritic'' is a noun, though it is sometimes used in an attributive sense, whereas ''diacritical'' is only an adjective. Some diacritics, such as the acute , grave , and circumflex (all shown above an 'o'), are often called ''accents''. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters. The main use of diacritics in Latin script is to change the sound-values of the letters to which they are added. Historically, English has used the diaeresis diacritic to indicate the correct pronunciation of ambiguous words, such as "coöperate", without which the letter sequence could be misinterpreted to be pronounced . Other examples are the acute and grave accents, which can indica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breve
A breve ( , less often , grammatical gender, neuter form of the Latin "short, brief") is the diacritic mark , shaped like the bottom half of a circle. As used in Ancient Greek, it is also called , . It resembles the caron (, the wedge or in Czech language, Czech, in Slovak language, Slovak) but is rounded, in contrast to the angular tip of the caron. In many forms of Latin, is used for a shorter, softer variant of a vowel, such as "Ĭ", where the sound is nearly identical to the English /i/. (See: Help:IPA/Latin, Latin IPA) Length The breve sign indicates a short vowel, as opposed to the Macron (diacritic), macron (), which indicates long vowels, in academic transcription. It is often used that way in dictionaries and textbooks of Latin, Ancient Greek, Tuareg languages, Tuareg and other languages. However, there is a frequent convention of indicating only the long vowels. It is then understood that a vowel with no Macron (diacritic), macron is short. If the vowel length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unicode
Unicode or ''The Unicode Standard'' or TUS is a character encoding standard maintained by the Unicode Consortium designed to support the use of text in all of the world's writing systems that can be digitized. Version 16.0 defines 154,998 Character (computing), characters and 168 script (Unicode), scripts used in various ordinary, literary, academic, and technical contexts. Unicode has largely supplanted the previous environment of a myriad of incompatible character sets used within different locales and on different computer architectures. The entire repertoire of these sets, plus many additional characters, were merged into the single Unicode set. Unicode is used to encode the vast majority of text on the Internet, including most web pages, and relevant Unicode support has become a common consideration in contemporary software development. Unicode is ultimately capable of encoding more than 1.1 million characters. The Unicode character repertoire is synchronized with Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synalepha
A synalepha or synaloepha is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis. W. Sidney Allen, ''Vox Graeca'', chart of "Types of vowel-junction", p. 98. Examples Spanish, Portuguese and Italian use synalepha, which is important in counting syllables in poetry. An example is in this hendecasyllable (11-syllable line) by Garcilaso de la Vega: : ''Los cabellos que al oro oscurecĂan.'' :: The hair that endarkened the gold. The words ''que'' and ''al'' form one syllable in counting them because of synalepha. The same thing happens with ''-ro'' and ''os-'' and so the line has eleven syllables (syllable boundaries are shown by a dot): : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Engraving
Music engraving is the art of drawing music notation at high quality for the purpose of mechanical reproduction. The term ''music copying'' is almost equivalent—though ''music engraving'' implies a higher degree of skill and quality, usually for publication. The name of the process originates in plate engraving, a widely used technique dating from the late sixteenth century. The term ''engraving'' is now used to refer to any high-quality method of drawing music notation, particularly on a computer ("computer engraving" or "computer setting") or by hand ("hand engraving"). Traditional engraving techniques Elements of music engraving style Mechanical music engraving began in the middle of the fifteenth century. As musical composition increased in complexity, so too did the technology required to produce accurate Sheet music, musical scores. Unlike literary printing, which mainly contains printed words, music engraving communicates several different types of information simul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
