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École Des Beaux Arts De L'Indochine
The Vietnam University of Fine Arts (formerly ''Hanoi College of Fine Arts'') is an art school in Hanoi, Vietnam originally established in Tonkin under French colonial rule in 1925. The university has trained many of Vietnam's leading artists and each year it participates in many cultural exchanges with sister institutions overseas. History The history of the Vietnam University of Fine Arts can be traced back to the colonial ''École des Beaux Arts de l’Indochine'' (1925–45) (the ''Indochina College of Fine Arts'') which trained successive generations of Vietnamese students — and a smaller number of students from Cambodia and Laos — in the western art tradition, laying the groundwork for the development of a distinctive Vietnamese style of modern art. The ''École des Beaux-Arts de l’Indochine'' in Hanoi was the predecessor of the Hanoi College of Fine Arts ''( :vi:Trường Đại học Mỹ thuật Việt Nam)''. The ''école'' was established by the French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art School
An art school is an educational institution with a primary focus on practice and related theory in the visual arts and design. This includes fine art – especially illustration, painting, contemporary art, sculpture, and graphic design. They may be independent or operate within a larger institution, such as a university. Some may be associated with an art museum. Art schools can offer elementary, secondary, post-secondary, undergraduate or graduate programs, and can also offer a broad-based range of programs (such as the liberal arts and sciences). In the West there have been six major periods of art school curricula,Houghton, Nicholas (Feb. 2016)"Six into One: The Contradictory Art School Curriculum and How It Came About" ''International Journal of Art & Design Education''. vol. 35, no. 1. pp. 107–120. and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alix Aymé
Alix Angèle Marguerite Aymé (Marseille 1894–1989) was a female French painter who lived in China and Vietnam. Life Born Alix Angèle Marguerite Hava, she first married in 1920 Professor Paul de Fautereau-Vassel, moving with him to Shanghai, China then Hanoi, Vietnam. In 1925-1926 she taught drawing at the French Lycée in Hanoi.''Alix Aymé''. Fletcher/Copenhaver Fine Art. Retrieved 12 September 2012. The couple returned to , where they lived from 1926 to 1928 and had a son. Then she separated from Fautereau-Vassel and returned with her infant son to . In 1931 she remarried to Colonel, later Gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huỳnh Văn Gấm
Huỳnh Văn Gấm (1922–1987) was a Vietnamese painter.Arts of Asia: Volume 38 2008 "In these lacquer paintings a very painterly style is now evident. Co Lien (Miss Lien) (34) by Huynh Van Gam (1922- 1987) from the fifteenth FASI class, sits in deep contemplative thought, and we might compare this rendition in lacquer with" Education Huỳnh Văn Gấm attended Indochina Fine Arts College, the same course as many students who later became famous Vietnamese painters such as Bùi Xuân Phái, Nguyễn Tư Nghiêm, Tạ Thúc Bình. Career In 1944, with only one year left to graduate from the Indochina Fine Arts College, Huỳnh Văn Gấm withdrew from school. He returned to his homeland to secretly join the revolution. When the August revolution was successful, Huỳnh Văn Gấm was elected as a member of the Provincial Party Committee at only 23 years old. In 1946, after the national general election, Huỳnh Văn Gấm was elected a member of the National Assembly. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Khang (painter)
Nguyễn Khang (5 February 1912 in Hanoi – 15 November 1989) was a Vietnamese painter who specialized in lacquer painting Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia. Th ..., sometimes with relief work. A few of his works are in the Vietnam National Museum of Fine Arts, Hanoi, but most are in private collections. Selected works *''Fishing under Moon Light'' 1943 *''Uncle Ho Visiting the Villages'' 1958 *''Troops fording a stream'' 1960 Love -2020 References 1912 births 1989 deaths 20th-century Vietnamese painters {{Vietnam-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Sáng
Nguyễn Sáng (1923, in Tien Giang Province – 1988, in Ho Chi Minh City) was a Vietnamese painter. He was a graduate of the 1940–1945 class of the Ecole des Beaux-Arts de l'Indochine. His favorite medias were pumice Pumice (), called pumicite in its powdered or dust form, is a volcanic rock that consists of extremely vesicular rough-textured volcanic glass, which may or may not contain crystals. It is typically light-colored. Scoria is another vesicula ... lacquer and oil paint. Although not overtly political, Sáng was reluctant and unenthusiastic about the new communist society in his paintings.Hue-Tam Ho Tai -''The Country of Memory: Remaking the Past in Late Socialist Vietnam'' 2001 Page 125 "Nguyen Sang's characters seem at home amid the deterioration of Hanoi streets and the degeneration of Vietnamese society as he saw it" He was posthumously awarded the Ho Chi Minh Prize in 1996. File:Nguyen_Sang_Ladies.jpg, Girls at Hoan Kiem Lake, lacquer on wood Nguyen Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Thị Lựu
Lê Thị Lựu (黎氏榴, 19 January 1911 – 6 June 1988) was a Vietnamese woman painter. She was one of the first women and rare notable female alumni of Victor Tardieu's École des Beaux-Arts de l’Indochine in Hanoi, becoming the school's first female painter at the age of 16. With Mai Trung Thu, Mai Trung Thứ, Le Pho, Lê Phổ and Vũ Cao Đàm she was one of four Vietnamese artists in the 1930s to emigrate to and make a career in Paris. She used to be a teacher at Bưởi school, where her students included Phan Kế An, who also became a famous painter. During her time in France, she became a prolific art teacher before retiring in 1971. Early life Lê Thi Lu'u was born on January 19, 1911, in Tho Khoi in Ha Bac, North Vietnam (modern day Hanoi). Her father, Le Van Que, was a civil servant with a French education that gave him access to social circles that included future editor-in-chiefs and future senators. While Lu'u's two elder sisters enrolled in a teachin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Tường Lân
Nguyễn Tường Lân (阮祥麟, 1906–1946) was a Vietnamese painter. "Cẩn is considered one of the pioneering “Four Masters” of Vietnamese modern art, alongside Nguyễn Gia Trí, Nguyễn Tường Lân and Tô Ngọc Vân
Tô Ngọc Vân (蘇玉雲, 15 December 1906 or 1908 – 17 June 1954), also known as Tô Tử, was a Vietnamese painter. Several of his paintings are being displayed at the Vietnam National Museum of Fine Arts. He taught a resistance art cla ... ."
Works Many of his ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Văn Đệ
Celso-Léon Lê Văn Đệ (24 August 1906 – 16 March 1966) was a South Vietnamese painter who designed the South Vietnamese flag. Early life and education A Roman Catholic, he was born in Mỏ Cày, Bến Tre, and was in charge of Asian Arts at the International Exhibition of Catholic Press at Vatican in 1936. He established the École supérieure nationale des Beaux Arts in Saigon. Career Some of his works have been shown at the Vietnam National Museum of Fine Arts, Hanoi. Others are exhibited in Europe. A wall panel, ''Mater Amabilis and Saint Magdalene at the food of the cross'' was on show at the Missionaria Arte museum at the Vatican. In 1930, he received a scholarship from the “Society for the Intellectual and Physical Improvement of the Indigenous People of Cochinchina” to study at the Beaux-Arts in Paris as a student of Jean-Pierre Laurens (1875-1932). The latter had welcomed two years earlier Fang Ganmin (1906-1984) who returned to China to become an influentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer Painting
Lacquer painting is a form of painting with lacquer which was practised in East Asia for decoration on lacquerware, and found its way to Europe and the Western World both via Persia and the Middle East and by direct contact with Continental Asia. The artistic form was revived and developed as a distinct genre of fine art painting by Vietnamese artists in the 1930s; the genre is known in Vietnamese as "sơn mài." Technique Making a lacquer painting may take several months depending on the technique used and the number of layers of lacquer. In Vietnam's ''sơn mài'' lacquer painting, a black board is prepared first. Then colour chalks are used on the prepared board for base sketch. Needles can also be used for carving the base sketch as an alternative. In lacquer painting, eggshells are used as white colour due to the lack of pure white colour in lacquer. Layers of clear varnish can be applied optionally depending on the purpose of the painting. Polishing is done in the end to reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Gia Trí
Nguyen Gia Tri or Nguyễn Gia Trí (Chương Mỹ, Hà Tây 1908 - 1993) was a Vietnamese painter best known for his lacquer paintings.''Insight Guides - Vietnam'' 2002 Page 110 "While Nguyen Gia Tri's works continue to generate acclaim for transforming the traditional decorative art form of lacquer to an Art Nouveau style depicting Vietnamese subjects and atmosphere, " He also drew cartoons on political and social issues, many of them criticising French colonial rule. Tri studied at the Hanoi College of Fine Arts (École des Beaux-Arts de l’Indochine) from 1932. He worked for the magazines ''Phong Hóa'' and ''Ngày Nay'' starting from 1932 together with Nhất Linh Nguyễn Tường Tam (; chữ Hán: 阮祥三 or 阮祥叄; Cẩm Giàng, Hải Dương 25 July 1906 – Saigon, 7 July 1963) better known by his pen-name Nhất Linh (, 一灵, "One Spirit") was a Vietnamese writer, editor and publisher in col ... and other famous writers and painters. He created the cartoon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silk Painting
Silk painting refers to paintings on silk. They are a traditional way of painting in Asia. Methods vary, but using traditional supplies of 100% silk fabric, stretched in a frame, and applying textile paints or dyes are the beginnings of the process of making textile art. National styles China One of the earliest surviving Chinese silk paintings is a 2-metre long T-shaped painting, dated from around 165 BCE, from the Mawangdui. However, painting on silk quickly gave way to painting on other supports. Silk painting employs gutta as a resist, allowing fine patterns to be achieved. Vietnam Ancient period Silk painting (Tranh lụa) was a traditional artisanry in Vietnam. There have been some old silk paintings, e.g. portraits of Nguyễn Trãi, Phùng Khắc Khoan, Trịnh Đình Kiên, Phan Huy Cẩn, Phan Huy Ích, Phan Huy Thực, and Phan Huy Vịnh dated from Lê and Nguyễn dynasty The Nguyễn dynasty (, chữ Nôm: 茹阮, chữ Hán: 朝阮) was the last Lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyễn Phan Chánh
Nguyen Phan Chanh (July 21, 1892 - November 22, 1984) was born in a rural Vietnamese village, in Ha Tinh (now Nghe Tinh) province. His early education was in Chinese (as was common in pre-colonial times), and he studied Chinese calligraphy so as to pass the qualifying exams for the title of Mandarin. However, the exams were abolished before he was old enough to sit them. With his first ambition thwarted, it was decided that he should continue studying painting at the l’Ecole des Beaux-arts d’Indochine ("the Indochinese College of Fine Arts") in Hanoi.(Taylor, 2004: 13) The pamphlets describing the goals for l’Ecole des Beaux-arts d’Indochine used the phrase “to transform the indigenous craftsmen into professional artists” which reflects the colonial mind-set of civilizing and educating ‘the natives’ (Taylor, 2004: 36). However, despite these rather condescending aims, Victor Tardieu, and his co-founder, Nam Son Nguyen Van Tho, and their colleague Joseph Imguimbert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
