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(Loneliness Made Me Realize) It's You That I Need
"(Loneliness Made Me Realize) It's You That I Need" is a 1963 song that became a 1967 hit single recorded by the Temptations for the Gordy ( Motown) label, produced and co-written by Norman Whitfield. '' Billboard'' described the single as a "groovy rocker" that "is loaded with excitement and another top vocal workout." Background As the song's narrator, Temptations lead singer David Ruffin tells his former love that since they broke up he can only think of her and no one else, and since he can't find someone else to love he has an unbearable loneliness in his heart. This is one of the rare pre-1968 singles to feature the group members singing all lead vocals at one point, as the other members, Eddie Kendricks, Melvin Franklin, Paul Williams, and Otis Williams, each have a solo spot out front on the last verse. Issued with the Otis Williams-led "Don't Send Me Away" as its B-side, "It's You That I Need" was the fourth and final single from the group's 1967 album ''The Temptations ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruf ...
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Melvin Franklin
David Melvin English (October 12, 1942 – February 23, 1995) better known by the stage name Melvin Franklin, or his nickname "Blue", was an American bass singer. Franklin was best known for his role as a founding member of Motown singing group The Temptations from 1960 to 1994. Early life and career David English was born in Montgomery, Alabama to Rose English, a teenage mother from nearby Mobile. His biological father was the preacher of the English family's church in Mobile; he impregnated her through rape.Ribowsky, Mark (2010). ''Ain't Too Proud to Beg: The Troubled Lives and Endearing Soul of the Temptations''. Hoboken, NJ: John Wiley & Sons. pp. 14-16 Following David's birth, Rose English married Willard Franklin and moved to Detroit, her grandmother insisting young David be left behind in her care. David English finally moved to Detroit with his mother and stepfather in 1952 at age ten. Taking on his stepfather's surname for his stage name as a teenager, David E ...
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Jimmy Ruffin
Jimmy Lee RuffinRibowsky, Mark (2010), ''Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations'', Hoboken, New Jersey: John Wiley & Sons, p. 89. . (May 7, 1936 – November 17, 2014) was an American soul singer, and the older brother of David Ruffin the lead singer of the Temptations. He had several hit records between the 1960s and 1980s, the most successful being the Top 10 hits " What Becomes of the Brokenhearted" and "Hold On (To My Love)". Biography Early life Jimmy Ruffin was born in 1936 in Collinsville, Mississippi, to Eli, a sharecropper, and Ophelia Ruffin. He was approaching his fifth birthday when his younger brother David was born. As children, the brothers began singing with a gospel group, the Dixie Nightingales. In 1961, Jimmy became a singer as part of the Motown stable, mostly on sessions but also recording singles for its subsidiary Miracle label, but was then drafted for national service. After leaving the Army in 1964, he return ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were cons ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ...
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Billboard R&B Chart
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was "Poor Little Fool" by Ricky Ne ...
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The Funk Brothers
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of studio musicians in music history. Among their hits are " My Girl", " I Heard It Through the Grapevine", " Baby Love", " I Was Made to Love Her", " Papa Was a Rollin' Stone", " The Tears of a Clown", " Ain't No Mountain High Enough", and "Heat Wave". Some combination of the members played on each of Motown's 100-plus U.S. R&B number one singles and 50-plus U.S. Pop number ones released from 1961 to 1972. There is no undisputed list of the members of the group. Some writers have claimed that virtually every musician who ever played on a Motown track was a "Funk Brother". There are 13 Funk Brothers identified in Paul Justman's 2002 documentary film '' Standing in the Shadows of Motown'', based on Allan Slutsky's book of the same name. These 1 ...
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Holland–Dozier–Holland
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including " Baby Love", "Stop! In the Name of Love", and " You Keep Me Hangin' On". From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work as a production team (with Eddie Holland being added to the producer credits), and as a songwriting team, until about 1974. The ...
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Barrett Strong
Barrett Strong (born February 5, 1941) is an American singer and songwriter. Strong was the first artist to record a hit for Motown, although he is best known for his work as a songwriter, particularly in association with producer Norman Whitfield. Among his most famous work at Motown, Strong wrote the lyrics for many of the songs recorded by the Temptations. He was born in West Point, Mississippi. Career Strong was among the first artists signed to Berry Gordy's fledgling label, Tamla Records, and was the performer on the company's first hit, "Money (That's What I Want)", which reached No. 2 US R&B in 1960. The single was originally released on Tamla, Motown's first label, but was then leased to the Anna label as it was getting airplay, and it was on the Anna label that it was a hit. It sold over one million copies, and was awarded a gold disc by the RIAA. "Money" was later recorded by a number of acts, including the Beatles, the Rolling Stones, Led Zeppelin, the Kingsmen, ...
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Eddie Holland
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like " Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorde ...
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Cloud Nine (The Temptations Song)
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong. Background In 1968, Sly & the Family Stone had a hit with their single " Dance to the Music", and Temptations member Otis Williams introduced Norman Whitfield to the band's music. At first, Whitfield did not want to produce anything with such a radically different sound. "I don't want to get into all that crazy shit," he said. "That ain't nothing but a little passing fancy."Williams, Otis and Romanowski, Patricia (1988, updated 2002). ''Temptations''. Lanham, MD: Cooper Square. pp. 138–140 Within a few weeks, however, he had created the backing tracks for the newest Temptations single, a psychedelic-styled numbe ...
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