(You've) Never Been In Love Like This Before
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(You've) Never Been In Love Like This Before
"(You've) Never Been in Love Like This Before" is a song written by vocalist Tommy Moeller and guitarist Brian Parker and recorded by their group Unit Four Plus Two in 1965. The song was composed as a follow-up to the group's third single, "Concrete and Clay", which had reached number one on the ''Record Retailer'' singles chart. "(You've) Never Been in Love Like This Before" was written at Moeller's house and incorporates influences from soul music alongside their folk rock sound. The song was recorded at IBC Studios in London with producer John L. Barker. Decca released "(You've) Never Been in Love Like This Before" as Unit Four Plus Two's fourth single on 7 May 1965, with another original composition, "Tell Somebody You Know" on the B-side. The release reached number 14 in the ''Record Retailer'' chart during an 11-week tenure. In North America, the single was a relative chart failure in the US, only peaking at number 95 on the ''Billboard'' Hot 100 in July 1965, but became ...
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Unit 4 + 2
Unit 4 + 2 were a British pop band formed in Hertfordshire, England, who had a number one hit on the UK Singles Chart in 1965 with the song " Concrete and Clay". The track topped the UK chart for one week. Career Early days In 1962, Brian Parker, then the guitar player and songwriter with the Hunters, decided to form his own vocal harmony group. He asked his friend David 'Buster' Meikle to join him. They asked singer Tommy Moeller and Peter Moules, who were at school together, to join their group, which they called Unit 4, reportedly inspired by "Unit 4," the fourth and final segment of the BBC Radio show '' Pick of the Pops'', which featured the Top 10. Unit 4 was later joined by Russ Ballard on guitar and Robert 'Bob' Henrit on drums (forming the + 2) for a six-piece, four-part vocal harmony group. Moeller was lead singer and front man from the first show as the Unit 4 vocal group to the last show as Unit 4 + 2 as vocal group with instruments. Owing to ill health and a disli ...
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Brill Building
The Brill Building is an office building at 1619 Broadway on 49th Street in the New York City borough of Manhattan, just north of Times Square and farther uptown from the historic musical Tin Pan Alley neighborhood. The Brill Building housed music industry offices and studios where some of the most popular American songs were written. It is considered to have been the center of the American music industry that dominated the pop charts in the early 1960s. It was built in 1931 as the Alan E. Lefcourt Building, after the son of its builder Abraham E. Lefcourt, and designed by Victor Bark Jr. Gray, Christopher"Streetscapes: The Brill Building: Built With a Broken Heart" ''The New York Times'', December 30, 2009. New York City Landmarks Preservation Commission"Brill Building", New York City, March 23, 2010 The building is 11 stories high and has about of rentable area. The "Brill" name comes from Maurice Brill, a haberdasher who operated a store at street level and subsequen ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1920s–1940s It was founded in 1926 by Leicester-born composer and publisher Lawrence Wright as the house magazine for his music publishing business, often promoting his own songs. Two months later it had become a full scale magazine, more generally aimed at dance band musicians, under the title ''The Melody Maker and British Metronome''. It was published monthly from the basement of 19 Denmark Street in LondonPeter Watts. ''Denmark Street: London's Street of Sound'' (2023), pp. 30-31 (soon relocating to 93 Long Acre), and the first editor was the drummer and dance-band leader Edgar Jackson (1895-1967). Jackson instigated a jazz column, which gained in credibility once it was taken over by Spike Hughes in ...
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Thank Your Lucky Stars (TV Series)
''Thank Your Lucky Stars'' was a British television pop music show made by ABC Weekend TV, and broadcast on ITV from 1961 to 1966. Of all the show's presenters, Brian Matthew is perhaps the best remembered. Many of the leading pop groups of the time performed on it. As well as featuring British artists, it often included American guest stars. It would appear from the surviving footage that the bands mimed their latest 45. Occasionally a band was allowed to do two numbers (possibly the A-side and B-side sides of their latest single or an EP or LP track); bands of a higher status such as The Beatles or The Rolling Stones would sometimes play up to as many as four numbers. A typical 1961 programme listing included The Dale Sisters, Adam Faith, John Leyton, The Brook Brothers, Geoff Goddard and Dion. Audience participation was a feature of ''Thank Your Lucky Stars'', and the Spin-a-Disc section, in which a guest DJ and three teenagers reviewed three singles, was a feature ...
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Light Entertainment
Light entertainment encompasses a broad range of television and radio programming that includes comedies, variety shows, game shows, quiz shows and the like. In the UK In the early days of the BBC, virtually all broadcast entertainment would be considered light by today's standards, as great pains were taken not to offend audiences—which is not to say that they always succeeded in this. Singers, magicians and comedians were drafted from the music hall circuit to fill the schedules. Stage acts were transferred directly to screen; in the case of productions such as ''Sunday Night at the London Palladium'', the broadcasts actually came from large theatres. Many future household names, including The Beatles, were given their first public airings during these programmes, which attempted to cater for varying tastes through staging variety acts. Bruce Forsyth was one of several hosts for the show. He went on himself to present the studio-based '' Generation Game,'' which rema ...
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London Recordings
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name ā€“ as London American Recordings, often shortened to London American ā€“ was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owns most of the label's 1980s and 1990s UK catalogue. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland, and Luciano Pavarotti. In a ...
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Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ...
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Unit 4 Plus 2 Never Been
Unit may refer to: General measurement * Unit of measurement, a definite magnitude of a physical quantity, defined and adopted by convention or by law **International System of Units (SI), modern form of the metric system **English units, historical units of measurement used in England up to 1824 **Unit of length Science and technology Physical sciences * Natural unit, a physical unit of measurement * Geological unit or rock unit, a volume of identifiable rock or ice * Astronomical unit, a unit of length roughly between the Earth and the Sun Chemistry and medicine * Equivalent (chemistry), a unit of measurement used in chemistry and biology * Unit, a vessel or section of a chemical plant * Blood unit, a measurement in blood transfusion * Enzyme unit, a measurement of active enzyme in a sample * International unit, a unit of measurement for nutrients and drugs Mathematics * Unit number, the number 1 * Unit, identity element * Unit (ring theory), an element that is invertibl ...
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Clapping
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in funk, gospel music, gospel, doo-wop and early Pop music, pop. In flamenco and , two Spanish musical genres, clapping is called ''Palmas (music), palmas'' and often sets the rhythm and is an integral part of the songs. A sampling (music), sampled or synthesized clap is also a staple of electronic music, electronic and pop music. Musical works that include clapping Classical works perform ...
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Session Musician
A session musician (also known as studio musician or backing musician) is a musician hired to perform in a recording session or a live performance. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres, and styles. Examples of "doubling" include double bass and electric bass, acoustic guitar and mandolin, piano and accordion, and saxophone and other woodwind instruments. Session musicians are used when musical skills are needed on a short-term basis. Typically, session musicians are used by recording studios to provide ...
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