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'F-A-E' Sonata
The ''F-A-E Sonata'', a four-movement work for violin and piano, is a collaborative musical work by three composers: Robert Schumann, the young Johannes Brahms, and Schumann's pupil Albert Dietrich. It was composed in Düsseldorf in October 1853. The sonata was Schumann's idea as a gift and tribute to violinist Joseph Joachim, whom the three composers had recently befriended. Joachim had adopted the Romantic German phrase "''Frei aber einsam''" ("free but lonely") as his personal motto. The composition's movements are all based on the musical notes F-A-E, the motto's initials, as a musical cryptogram. Schumann assigned each movement to one of the composers. Dietrich wrote the substantial first movement in sonata form. Schumann followed with a short Intermezzo as the second movement. The Scherzo was by Brahms, who had already proven himself a master of this form in his E flat minor Scherzo for piano and the scherzi in his first two piano sonatas. Schumann provided the finale. Sc ...
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Classical Music Written In Collaboration
In classical music, it is relatively rare for a work to be written in collaboration by multiple composers. This contrasts with popular music, where it is common for more than one person to contribute to the music for a song. Nevertheless, there are instances of collaborative classical music compositions. Collaborations The following list gives some details of classical works written by composers working collaboratively. Opera and operetta * In 1656, ''The Siege of Rhodes'' was written in London, and is considered to be the first English opera. The vocal music is by Henry Lawes, Matthew Locke, and Captain Henry Cooke, and the instrumental music is by Charles Coleman and George Hudson. * In 1721, Filippo Amadei, Giovanni Bononcini and George Frideric Handel each wrote one act of the opera ''Muzio Scevola''. * Also in 1721, Michel Richard Delalande and André Cardinal Destouches jointly composed the opera-ballet ''Les élémens''. * Between the 1720s and the 1760s, François Fran ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Violin Sonatas
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments. The early violin sonata In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Georg Philipp Telemann wrote many such sonatas as did Johann Sebastian Bach. Bach also wrote sonatas with harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment and allowed in to enhance the part of the soloist. He also wrote sonatas for ...
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Compositions In A Minor
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Chamber Music By Johannes Brahms
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is inse ...
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Chamber Music By Robert Schumann
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is inse ...
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Steven Isserlis
Steven Isserlis (born 19 December 1958) is a British cellist. He has led a distinguished career as a soloist, chamber musician, educator, author and broadcaster. Acclaimed for his profound musicianship, he is also noted for his diverse repertoire, command of phrasing, and distinctive sound which is deployed with his use of gut strings. Early life and education Isserlis was born in London on December 19, 1958 into a musical family. His mother was a piano teacher, and his father was a keen amateur musician. His sister Annette is a viola player, and his other sister Rachel is a violinist. Isserlis has described how "playing music, playing together", was an integral part of his early family life. His grandfather, Julius Isserlis, who was a Russian Jew, was one of 12 musicians allowed to leave Russia in the 1920s to promote Russian culture, but he never returned. On the ''Midweek'' programme on 29 January 2014, Isserlis revealed that on arrival in Vienna in 1922, his pianist gra ...
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Violin Concerto (Brahms)
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti: Instrumentation The Violin Concerto is scored for solo violin and orchestra consisting of 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons; 2 natural horns crooked in D, and 2 natural horns crooked in E, 2 trumpets in D, timpani, and strings. Despite Brahms' scoring for natural (non-valved) horns in his orchestral works, valved horns have always been used in actual performance, even in Brahms' time. Structure The concerto follows the standard concerto form, with three movements in the pattern quick–slow–quick: Originally, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo—a mark that Brahms intended a symphonic concerto rather than a v ...
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Violin Concerto (Schumann)
Robert Schumann's Violin Concerto in D minor, WoO 23, written in 1853, was his only violin concerto and one of his last significant compositions. It remained unknown to all but a very small circle for more than 80 years after it was written. Instrumentation The concerto is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 2 horns in F, 2 trumpets in B, timpani and strings. Structure The concerto is in the traditional three-movement quick-slow-quick form. It belongs less to the poetic and passionate style of Schumann's early masterpieces than to the more objective, classical manner of his later music, as ushered in by the 'Rhenish' Symphony of 1850. Composition Schumann wrote it in Düsseldorf between 11 September and 3 October 1853 for the violinist Joseph Joachim. He had just previously completed another work for Joachim, the ''Fantasie in C major'', Op. 131. On 1 October, the young Johannes Brahms entered Schumann's life. It appears that Schu ...
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Violin Sonata No
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric pickups a ...
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Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto ( her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by ...
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Gisela Von Arnim
Gisela von Arnim (also Giesela; August 30, 1827 in Berlin – April 4, 1889 in Florence) was a German writer, mainly of fairy tales. Biography Gisela was the youngest child of Achim and Bettina von Arnim. She was not formally educated, being taught only by her sisters. In her youth she read fairy tales and Romantic poetry, especially the works of Wilhelm Hauff, and began to write fairy tales herself. With her sisters she started the "Kaffeter circle", first a group for young women and later a full literary salon also including men (honorary members included Hans Christian Andersen and Emmanuel Geibel). In 1859, she married the Germanist and art historian Herman Grimm, a son of Wilhelm Grimm Wilhelm Carl Grimm (also Karl; 24 February 178616 December 1859) was a German author and anthropologist, and the younger brother of Jacob Grimm, of the literary duo the Brothers Grimm. Life and work Wilhelm was born in February 1786 in Hanau, in .... Works * ''Das Leben der Hochgrä ...
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