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Old Chinese
Old Chinese, also called Archaic Chinese in older works, is the oldest attested stage of Chinese, and the ancestor of all modern varieties of Chinese. The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BC, in the late Shang dynasty. Bronze inscriptions became plentiful during the following Zhou dynasty. The latter part of the Zhou period saw a flowering of literature, including classical works such as the '' Analects'', the '' Mencius'', and the '' Zuo zhuan''. These works served as models for Literary Chinese (or Classical Chinese), which remained the written standard until the early twentieth century, thus preserving the vocabulary and grammar of late Old Chinese. Old Chinese was written with several early forms of Chinese characters, including Oracle Bone, Bronze, and Seal scripts. Throughout the Old Chinese period, there was a close correspondence between a character and a monosyllabic and monomorphemic word. Although the s ...
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Written Chinese
Written Chinese () comprises Chinese characters used to represent the Chinese language. Chinese characters do not constitute an alphabet or a compact syllabary. Rather, the writing system is roughly logosyllabic; that is, a character generally represents one syllable of spoken Chinese and may be a word on its own or a part of a polysyllabic word. The characters themselves are often composed of parts that may represent physical objects, abstract notions, or pronunciation. Literacy requires the memorization of a great number of characters: college-educated Chinese speakers know about 4,000. The large number of Chinese characters has in part led to the adoption of Western alphabets or other complementary systems as auxiliary means of representing Chinese. Various current Chinese characters have been traced back to the late Shang Dynasty about 1200–1050 BC,William G. Boltz, Early Chinese Writing, World Archaeology, Vol. 17, No. 3, Early Writing Systems. (Feb., 1986), pp. 420–436 ...
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Four Books And Five Classics
The Four Books and Five Classics () are the authoritative books of Confucianism, written in China before 300 BCE. The Four Books and the Five Classics are the most important classics of Chinese Confucianism. Four Books The Four Books () are Chinese classic texts illustrating the core value and belief systems in Confucianism. They were selected by intellectual Zhu Xi in the Song dynasty to serve as general introduction to Confucian thought, and they were, in the Ming and Qing dynasties, made the core of the official curriculum for the civil service examinations. More information of them are as follows: List ; '' Great Learning'' : Originally one chapter in the '' Book of Rites''. It consists of a short main text attributed to Confucius and nine commentary chapters by Zengzi, one of the disciples of Confucius. Its importance is illustrated by Zengzi's foreword that this is the gateway of learning. It is significant because it expresses many themes of Chinese philosoph ...
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Chu Ci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the State of Chu, which was located in what is now central China, but was the ...
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Spring And Autumn Period
The Spring and Autumn period was a period in Chinese history from approximately 770 to 476 BC (or according to some authorities until 403 BC) which corresponds roughly to the first half of the Eastern Zhou period. The period's name derives from the ''Spring and Autumn Annals'', a chronicle of the state of Lu between 722 and 479 BCE, which tradition associates with Confucius (551–479 BCE). During this period, the Zhou royal authority over the various feudal states eroded as more and more dukes and marquesses obtained ''de facto'' regional autonomy, defying the king's court in Luoyi and waging wars amongst themselves. The gradual Partition of Jin, one of the most powerful states, marked the end of the Spring and Autumn period and the beginning of the Warring States period. Background In 771 BCE, a Quanrong invasion in coalition with the states of Zeng and Shen — the latter polity being the fief of the grandfather of the disinherited crown prince Yijiu — destroyed th ...
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Western Zhou
The Western Zhou ( zh, c=, p=Xīzhōu; c. 1045 BC – 771 BC) was a royal dynasty of China and the first half of the Zhou dynasty. It began when King Wu of Zhou overthrew the Shang dynasty at the Battle of Muye and ended when the Quanrong nomads sacked its capital Haojing and killed King You of Zhou in 771 BC. The Western Zhou early state was successful for about seventy-five years and then slowly lost power. The former Shang lands were divided into hereditary fiefs which became increasingly independent of the king. In 771 BC, the Zhou were driven out of the Wei River valley; afterwards real power was in the hands of the king's nominal vassals. Civil war Few records survive from this early period and accounts from the Western Zhou period cover little beyond a list of kings with uncertain dates. King Wu died two or three years after the conquest. Because his son, King Cheng of Zhou was young, his brother, the Duke of Zhou Ji Dan assisted the young and inexperienced kin ...
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Classic Of Poetry
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the " Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of '' chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' ('' shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of C ...
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Phonetic Series (Chinese Characters)
A ''xiesheng'' () or phonological series is a set of Chinese characters sharing the same sound-based element. Characters belonging to these series are generally phono-semantic compounds, where the character is composed of a semantic element (or radical) and a sound-based element, encoding information about the meaning and the pronunciation respectively. For example, the character is composed of the semantic component 'water' and the sound component (believed to have been pronounced something like *ba). Thus, 波 represents a word which has to do with water and was pronounced something like *ba. In fact, the word which 波 represents means 'wave' and was pronounced like *pa in Middle Chinese. By grouping together characters with the same sound component into a ''xiesheng'' series, one is able to compare words that were perceived to be quite similar in pronunciation at the time that the characters for these words were invented. As an example, ''xiesheng'' series no. 25 from B ...
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Chinese Character Classification
All Chinese characters are logograms, but several different types can be identified, based on the manner in which they are formed or derived. There are a handful which derive from pictographs () and a number which are ideographic () in origin, including compound ideographs (), but the vast majority originated as phono-semantic compounds (). The other categories in the traditional system of classification are rebus or phonetic loan characters () and "derivative cognates" (). Modern scholars have proposed various revised systems, rejecting some of the traditional categories. In older literature, Chinese characters in general may be referred to as ideograms, due to the misconception that characters represented ideas directly, whereas some people assert that they do so only through association with the spoken word. Traditional classification Traditional Chinese lexicography divided characters into six categories (). This classification is known from Xu Shen's second century dictio ...
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Radical (Chinese Characters)
A Chinese radical () or indexing component is a graphical component of a Chinese character under which the character is traditionally listed in a Chinese dictionary. This component is often a semantic indicator similar to a morpheme, though sometimes it may be a phonetic component or even an artificially extracted portion of the character. In some cases the original semantic or phonological connection has become obscure, owing to changes in character meaning or pronunciation over time. The English term "radical" is based on an analogy between the structure of characters and inflection of words in European languages. Radicals are also sometimes called "classifiers", but this name is more commonly applied to grammatical classifiers (measure words). History In the earliest Chinese dictionaries, such as the ''Erya'' (3rd century BC), characters were grouped together in broad semantic categories. Because the vast majority of characters are phono-semantic compounds (), combi ...
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Rebus
A rebus () is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favourite form of heraldic expression used in the Middle Ages to denote surnames. For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder ''Non verbis, sed rebus'', which Latin expression signifies "not by words but by things" (''res, rei'' (f), a thing, object, matter; ''rebus'' being ablative plural). Rebuses within heraldry Rebuses are used extensively as a form of heraldic ex ...
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Chinese Characters
Chinese characters () are logograms developed for the writing of Chinese. In addition, they have been adapted to write other East Asian languages, and remain a key component of the Japanese writing system where they are known as ''kanji''. Chinese characters in South Korea, which are known as ''hanja'', retain significant use in Korean academia to study its documents, history, literature and records. Vietnam once used the '' chữ Hán'' and developed chữ Nôm to write Vietnamese before turning to a romanized alphabet. Chinese characters are the oldest continuously used system of writing in the world. By virtue of their widespread current use throughout East Asia and Southeast Asia, as well as their profound historic use throughout the Sinosphere, Chinese characters are among the most widely adopted writing systems in the world by number of users. The total number of Chinese characters ever to appear in a dictionary is in the tens of thousands, though most are graph ...
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Classical Chinese
Classical Chinese, also known as Literary Chinese (古文 ''gǔwén'' "ancient text", or 文言 ''wényán'' "text speak", meaning "literary language/speech"; modern vernacular: 文言文 ''wényánwén'' "text speak text", meaning "literary language writing"), is the language of the classic literature from the end of the Spring and Autumn period through to the either the start of the Qin dynasty or the end of the Han dynasty, a written form of Old Chinese (上古漢語, ''Shànɡɡǔ Hànyǔ''). Classical Chinese is a traditional style of written Chinese that evolved from the classical language, making it different from any modern spoken form of Chinese. Literary Chinese was used for almost all formal writing in China until the early 20th century, and also, during various periods, in Japan, Ryukyu, Korea and Vietnam. Among Chinese speakers, Literary Chinese has been largely replaced by written vernacular Chinese, a style of writing that is similar to modern spoken ...
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